Eye of the Beholder Mixed Media Canvas using Pebeo Fantasy Paints

Good afternoon. This is another mixed media canvas that I have just completed. I am calling it ‘Eye of the Beholder’. I used texture pastes and Pebeo Fantasy paints to create the main panel. I used more texture paste through stencils and die cuts along with acrylic paints to create the background panel.

AW Eye of the Beholder 3

I first spread the canvas with some left over coloured texture pastes (from another project – I hate wasting anything).

AW Eye of the Beholder 1a

I then started pouring on the Fantasy paints, finishing with lines of Relief Paste and little gems while the paints were still wet. I simply had a play.

AW Eye of the Beholder

I felt it needed a decent background panel to show it off so I created the textured panel with acrylics, paste through stencils and a few die cuts. The sentiments were stamped and embossed with sparkly gold powder.

Materials:

12 X 12 and 8 X 8 inch canvas boards

Pebeo Fantasy paints (Moon and Prisme)

Pebeo Ceramic and Glass paints

Pebeo Relief Paste (gold)

Acrylic paints and Starlight paints (Imagination Crafts)

Versamark inkpad and sparkly gold embossing powder

Pebeo Gilding Wax (gold)

Sand and grass texture pastes

Acrylic gems

Text stamps (Sheena Douglass – Dream)

Die cuts (Sheena Douglass – Create A Flower – What a Mesh and Going in Spirals)

Stencils (with organic designs)

Mixed Media Canvas Dreaming Fossils

Good afternoon. These are my first play with Powertex – 12 X 12 inch fossil themed canvases.

AW Powertex Fossil 1

AW Powertex Fossil 2

 

 

Powertex is a fabric hardening medium which can be used in mixed media and for creating 3D sculpture. I have got so many ideas and things to try. I had a lot of fun creating these and have many more experiments ‘on the go’ including some fossil jewellery and 3D vessels – will share soon.

AW Powertex Fossil 2k

AW Powertex Fossil 2l

 

Materials:

Powertex Fabric Hardener (Ivory, Terracotta and Lead)

12 X 12 inch stretched canvas and 12 X 12 inch canvas board

Texture Media (3D Sand & Balls)

Pebeo Gilding Wax (gold)

Easy Varnish

Powercolor (white, ochre) and Colortricx (copper)

Bister (Black)

Fossil themed stencils (Powertex and DecoArt Andy Skinner)

Fossil themed silicone moulds

Glass seed beads (gold)

Potato sacking (hessian, burlap)

Paper kitchen towel

Watercolour Painting of the Old Church Ruins at Ayot St Lawrence

AW Ayot Church 2

 

I really struggle with watercolour painting and it has been a few years since I tried a full painting. I tend to use strong pigment mixes so my style is probably more  like a gouache style, but unlike gouache watercolour is very unforgiving of mistakes. This one was really hard work and it almost went it in the bin several times – but I stuck with it. Reasonably happy with the results.

 

I do try to restrict my colour palette to a minimum and to mix colours from primaries where possible. I find the results tie together and stay fresher this way.

In this one I used: Ultramarine, Cerulean Blue, Cadmium Red, Lemon Yellow, Yellow Ochre and Paynes Grey.

Decorative Spring Blossom Painting using Pebeo Fantasy Paints

AW Blossom Tree

AW Blossom Tree 3

AW Blossom Tree 2

 

Good morning. I have been playing with my Pebeo Fantasy paints a lot recently. I just love them. I have used them here to make a really bright and cheery decorative Spring blossom canvas.

 

I created the background with acrylic paints. I used Mixtion Relief Paste to draw the outlines and applied gold mirror effect leaf. Colouring was with Pebeo Prisme Fantasy Paint, applied with a cocktail stick.

 

Materials:

12 X 12 inch primed canvas board

Acrylic paints (yellow and orange)

Pebeo Mixtion Relief Paste

Pebeo Gede Mirror Effect Leaf (Gold)

Pebeo Prisme Fantasy paints (Cinnamon, Buttercup, Cherry Blossom and Icy Pink)

Halloween Canvas using the Day Of The Dead Collection from Sheena Douglass

AW Spooky Canvas

 

Oooh I do love Halloween. I so enjoy making spooky projects. I created this canvas for a couple of my friends. I used Sheena Douglass ‘Day Of The Dead’ stamps and dies, and I coloured the image so it looked like them. I also used Sheena’s Festive Ivy and Christmas Foliage dies to decorate.

Materials:

  • Stretched canvas approx. A4 size
  • A4 sheet white stamping card (Sheena Douglass)
  • Black, white and green card
  • Brother ScanNCut CM300 machine
  • Silhouette Cameo machine
  • Die cutting machine (EBosser)
  • Sheena Douglass Day Of The Dead Collection (Eternal Love stamp and Dancing Skeleton, and Pawprint memories dies)
  • Sheena Douglass dies (Festive Ivy and Christmas Foliage)
  • Other dies: acorn (Spellbinders) and leaves (Tattered Lace)
  • ScanNCut files: built in designs for the ‘Happy’ and ‘Halloween’ text
  • Silhouette files: JM Rush for spiders (Spider Web Lantern), Bats Flying and Spooky Banner
  • Gesso (black)
  • Inkpads: Versafine (Tuxedo Black), Distress (Gathered Twigs and Tea Dye)
  • Spray and Sparkle (Crafters Companion Diamond Pearl)
  • Pebeo Gilding Wax (King Gold)
  • Spectrum Aqua watercolour pens (pinks, oranges, greens, teals, turquoises, greys, yellows and reds)
  • Brown pencil (to colour bats)
  • Black fine tipped marker (to enhance shading & detail to stamped image)
  • Stickles glitter glue (Crystal)

Terrifying but magical fist trials using the Gelli Plate monoprinting system

I have had my Gelli Plate for a while but after a disastrous first attempt it had been sitting on my shelf unloved. I felt way out of my comfort zone with this, but so admired the gorgeous results that others were achieving.

Gelli

I used my large 8 X 10 printing plate for my first trials.

Following the recent show on the Craft Channel this week with the lovely Lesley Wharton from Chocolate Baroque I had to give it another try (Wed 1pm if you want to see the catch up video online). I also looked at a few of the FAB demos from Barbara Grey from Clarity Stamps available on YouTube.

I dug out a load of my cheap cartridge sketching paper and went for it. Previously I had used some of my very old tube acrylic paints that were thick and gloopy. They really didn’t spread well and I now realise that I applied them far too thickly too. This time I used more fluid acrylics from Martha Stewart and Folk Art (in squeezy bottles). My cheap acrylics in big squeezy tubes from the £1 shop also worked beautifully.

This is my first journey with the Gelli Plate – both terrifying and magical – tee hee.

A couple of things to consider before starting:

  • You will need a soft Brayer (Speedball) for spreading the paint. You will also need a selection of items to create texture and remove areas of paint etc. I started with a selection of stencils (Trellis, Butterfly, Leaf and Floral) and some lovely texture stamps (Texture Fragments and Abstract Fragments from Chocolate Baroque).
  • Have plenty of cheap paper to hand and clear a bit of space for laying out lots of sheets to dry. The advantage of acrylics is that they do dry quickly. Waste paper is also needed for rolling off waste paint from the Brayer and for stamping the paint lifted off the plate. Keep hold of these waste sheets as they make gorgeous backgrounds.
  • Don’t expect to get controlled or repeatable results – just relax and go for it.

My first set of prints – not comfortable with this

Gelli Trial 1

I stencilled paint through a fern stencil onto the plate and let it dry. Then I brayered a layer of blue paint and lifted off areas with a texture stamp. The wet layer lifts off the first dry layer with the print. A nice textured background print to use on my cards.

Gelli Trial 2

This time I started with a blue layer of paint, lifted areas with texture stamps, left to dry, then applied cream and yellow paint to lift the print. Another nice background paper. The blue splodges are where I applied the paint a bit too thickly.

Gelli Trial 2 waste

This sheet is the waste clean up paper that I used to clean my brayer and stamp off paint from my plate. I really rather like this sheet – more than my Gelli prints! These sheets make a nice set of backgrounds for my projects but not overly exciting.

Oooh – keep going Anne (very scary – definitely way out of my comfort zone).

Second set of prints – getting more exciting

Gelli Butterfly Background

This time I applied a green and blue mix and overlaid a floral stencil. I then stamped into the flowers with a texture stamp to lift some of the wet paint and left to dry. I used my hair dryer on a cold setting to help speed up the drying. DO NOT use a heat gun or hot hair dryer.

The paint under the stencil stays wet. I lifted the stencil and quickly took a print. I was amazed. The textured positive of the stencil remained on the plate (dry), and the wet paint under the stencil printed. Getting excited now.

Gelli Butterfly

You can just see in the background the positive flowers that were left on the plate from the previous print. I continued with a few layers and different stencils to come up with this one.

More play with the floral stencil and texture stamps

Gelli Flower 1a

I first created a textured blue layer of paint and let it dry. Then a layer of pale yellow was laid and the floral stencil overlaid and left to dry. I removed the stencil and lifted the wet layer (under the stencil) onto a waste clean up sheet (orange). Woohoo love it.

Gelli Flower 1

I then added orange paint to the plate over the dried floral layer, lifted some of the paint with a stamp, and printed. Definitely beginning to love this.

Trying acetate and mirror card

I wondered if I could print onto acetate or shiny mirror card. Well … sort of.

Gelli acetate foil 1

I also wondered if dries clear acrylic medium could be used to lift a dry layer off the plate. Could it be used to give a clear background for printing on metallic or patterned card? Answer NO. Clear medium did not re-activate dried layers. I think that I will try Lesley Wharton’s trick with the clear packing tape.

I got in rather a mess here but did manage to get some prints onto the acetate and mirror board. I also applied some Kristall Gel through the stencil onto the prints to add a bit of texture. Sure that I will use these bits for something. I will need to experiment a bit more with this to see what works. Definitely random!

More floral prints

Gelli Flower 3a

After my acetate and mirror board experiments (above) my plate was left with a blue mess. I left it in place and continued and loved the result on this print.

Gelli Flower 3

This one was printed onto waste clean up paper.

Gelli Flower 5

Again I used the waste clean up paper as a background for the print.

Gelli Flower 5a

Love this set of positive and negative prints.

Gelli Flower 5 waste

Keep hold of those waste clean up papers – they make lovely backgrounds. Either on their own or over printed with Gelli prints.

Gelli Flower 6

End up with a mess on your plate? Don’t worry. Just carry on with the next set of prints – they can give FAB results.

A few leafy stencil prints

Gelli Leaf 2

Loving this one – very organic.

Gelli Leaf 2a

Again I printed this one onto the waste clean up paper – nice.

Gelli Leaf 2 waste

Here is another waste clean up paper. Oooh yummy.

Gelli Leaf 3

You can see why you need stacks of paper at the ready!

A few trellis stencil prints

Gelli Trellis 3a

Subtle print onto the waste clean up paper.

Gelli Trellis 3

Some of the bottom layers did not print where I had the paint too thick.

Gelli Trellis 4

The unprinted areas from the above plate gave lovely texture on this one. The pearlescent orange paint turned into a gorgeous gold when lifted with back teal layer. Ooooh – think this is my favourite!

Gelli Trellis 2

Love this pretty pastel colourway.

Gelli Trellis 7

The background on this one was one of my non-exciting prints. Love it now with the distressed green trellis over print.

Gelli Trellis 6

Again I used a waste clean up paper as a background for this one.

Brimming with ideas.

Well this has been a fabulous journey. Terrifying, disappointing, then exciting and magical.

I only used acrylics and the method of using stencils, adding and drying layers to create sets of positive and negative prints, along with stamps to remove paint and add texture. When you think of all the possibilities it can be overwhelming. If like me you have been too scared to try it out – just go for it. Have a tonne of cheaper paper ready so you don’t feel that you are wasting expensive card if it goes wrong. When it does go wrong just keep going. Some of my best prints came out when I had got in a mess. When you are finished you will have a stash of lovely background papers ready for cards, journals and mixed media projects.

I have so many more things to try and am brimming with ideas. I also need to try out my fabric paints to decorate fabrics for patchwork. The Gelli plate can also be used with other water based media such as Distress Inks – giving lovely subtle backgrounds for stamping. I can’t wait to experiment further.

I hope that you have enjoyed reading my first journey with the Gelli Plate.

Happy Crafting, Anne xxx.

Fabric design created from my art work

I created this fabric design using photographs of several different pieces of my own art work. I included autumn and summer elements together – why not – with a little fantasy art.

I cut out elements using Serif Craft Artist and collaged them together to make a repeat pattern for digital printing onto fabric. I was lucky enough to win a competition and get 3m of this printed for free – Yay! Unfortunately the Company has gone now but they made a great job of printing this for me onto lovely cotton twill. I haven’t dared to cut into it yet but now I am planning a special outfit to make from it soon.

fabric design

This is the part design ready to create a repeat tile. This was all done in Serif cutting out elements from various of my paintings and textile pieces (see below). This was then cut into quarters and rearranged with outer edges to the inside. Extra elements were used to fill the gaps.

fabric design 3

Here is my design tile to create an all over repeat design.

fabric tiled

Here is the tiled repeat. I was happy that there were no obvious ‘patchwork’ edges.

Fabric

This is the printed fabric – wonderful!

The following pieces show the artwork that I ‘cut’ out the design elements from.

Autumn Leaves 2

I cut the autumn leaves from the watercolour painting.

AW1web

Some of the trees and foliage were cut from this watercolour painting.

AFairyWoodland

The owl was cut from my fantasy textile art piece. Some of the design elements in this piece were inspired by the Serif Craft Artist Digikits from the Fantasy and Medieval collections.

Floral Fantasy4c

Needle felted and embroidered flower.