Welcome to Fairyland card created for Chocolate Baroque

Good morning. Today I am sharing one of my samples for the recent shows on Hochanda. I had so much fun with these stamps. I hope that you like my fantasy scene.

AW Welcome to Fairyland

Materials:

How to make it:

  1. Stamp the scene with Versafine and extend the scene by drawing with the fine tipped pen.
  2. Cover the moon, rocks, castle and fairy wing with masking fluid.
  3. Colour the scene using inks, remove a little colour from the clouds with a wet brush and blotting with paper towel. Note: you can only do this with certain inks (some set into the paper and cannot be lifted after dry, so you may need to work quickly to lift colour while still wet). Dry and remove the masking.
  4. Colour the images with watercolour pencils and blend the colours with a damp brush.
  5. Apply sparkle pen over the moon, fairy wings and sections of the sky.
  6. Edge the card with black alcohol pen and mount onto black card. Glue to card front adding decorative die cuts to corners.
  7. Add Glossy Accents to the fairy and finish with glitter glue for added sparkle.

Quick and Easy Tree cards created for Chocolate Baroque

AW Orchard CAS

 

Good morning. Here are another couple of quick and easy cards using the Orchard Design a Tree stamp set from Chocolate Baroque. These are great for batch making. The sentiment space could be left blank and stamped as needed for those emergency last minute cards that we often need. Make them in lots of different colours or try stamping on ready patterned paper.

I used ink spritzers with mica to create the backgrounds (these were left over offcuts from another project), trimmed and used a corner rounder punch to finish. Edged quickly with marker pen to frame.

I stamped the trees with Versamark and used a sparkly embossing powder (difficult to see in the photos). I used a Versamark embossing pen to anchor the trees and extend the scene with just a couple of quick drawn lines.

The sentiment was stamped with Versafine.

Materials:

Special cards made with Enchanted Garden, Garden of Eden and Into the Woods Couture dies

I made these for a couple of friends with special birthdays recently. I love the Couture die sets from Create & Craft – they mix & match so well.

 

AW Enchanted Garden 1

AW Enchanted Garden 2

 

Both cards were started off in the same way. I made a gatefold card base and glued the butterfly panel to the top edge. The metal effect was achieved by cutting out elements with black card and rubbing over with Pebeo Gilding Wax.

AW Enchanted Garden step 1

AW Enchanted Garden step 2

The background papers were created with ink sprays with sparkly mica (Lindy’s Stamp Gang).

AW Enchanted Garden 1a

AW Enchanted Garden 2a

I used a Tonic die set to create the inner sentiment panels.

 

Dies used:

Create & Craft Couture sets: Into The Woods, Enchanted Garden and Garden of Eden

Tonic: Peony Promenade

Robert Addams: small butterflies

Baroque Meadow card and gift tag created for Chocolate Baroque Colour Challenge 32

AW Baroque Meadow Colour Challenge 32

AW Baroque Meadow Colour Challenge 32a

 

Good morning. Here is another of my projects for the Chocolate Baroque Colour Challenge. I have used the shaving foam technique to create the swirly background for this card and tag set. I stamped the card blank with Distress Ink to create the outer background frame. The main images were stamped using Versamark and heat embossed with copper powder.

Materials:

  • Baroque Meadow, Silhouette Grasses, Words to Dazzle & Sparkle stamp sets
  • 17.5cm square card blank, pale blue and holographic copper card for layering, white stamping card, and gift tag
  • Inkpads: Distress Ink (Tumbled Glass) and Versamark
  • WOW heat embossing powder (Copper)
  • Tray to fit paper, shaving foam, and water based liquid inks (greens and copper with mica)
  • Fine tipped pen (pale blue)
  • Piercing tool (pricking tool/bradawl), foam mat and ruler
  • Organza ribbon and PVA pearls (pale blue)

How to make it:

  1. Squirt a layer of shaving foam into a tray. Drop inks onto the surface and swirl over the surface with a cocktail stick. Lay card on top pressing down lightly to transfer ink. Lift off and use the edge of a ruler to lightly scrape across the card and lift away excess foam layer. Tip: Have lots of paper, card and tags etc. ready and do a whole batch at once. You will then have plenty of backgrounds in stock for future projects. Keep dropping on more inks and swirling etc. Eventually the colours will blend into the foam, and the colours will mix and become muddy. Just keep going for as long as you like the results. Muddy brown papers can be nice for cutting out branches or even Steampunk cogs etc. using dies. Another note about this technique: The papers dry smooth and with a slight sheen that is resistant to water so they are best used with stickier or solvent based inks for over stamping.
  2. Stamp the card blank with the Silhouette grasses and Distress Ink. Pierce a border using a pricking tool with foam mat beneath. Add faux stitching with the fine tipped pen.
  3. Cut the mats and layers for the tag and card front. Stamp the tag and topper with Versamark Ink and heat emboss with copper powder.
  4. Glue layers together and add ribbons. Finish with PVA pearls.

Butterfly Shrine card created for Chocolate Baroque Colour Challenge 32

Here is another project that I created for the Chocolate Baroque Colour Challenge 32 this month.

I came up with this after playing with my Inkadinkadoo stamping gear (circular wheel) and the Sticks & Stones stamp set to create wreath. Similar can be achieved by drawing a circle and dividing it into 8 sections. Keeping the stamp orientation steady, stamp and turn the card between each stamping or just work more freely around a circle.

I hope that you like it, and I look forward to seeing your entries x.

AW Butterfly Shrine Colour Challenge 32

Materials:

How it was made:

  1. The top corners of the card blank were rounded off using a punch. The bottom strip was cut from blue card. The sentiment was stamped with Versamark ink and embossed with copper powder. The strip was then edged with gilding wax before gluing to the card base.
  2. An A5 sheet of stamping card was spritzed with blue & green inks and stamped with Silhouette Grasses. The top edge was cut using the decorative trim die. The top and edges were rubbed over with gilding wax. A circular mat was cut from blue card and placed behind the decorative central motif. The background was then glued to the card front.
  3. Another piece of stamping card was lightly spritzed with blue ink. The wreath was then stamped with Distress Ink using the stamping gear. The wreath was cut out with the circle die and gilding wax rubbed over the decorative edge. This was mounted to the card front with 3D foam pads.
  4. The butterfly was stamped (Just Butterflies set), embossed with copper powder and coloured with sparkle pens. I cut then cut out and shaped for added dimension. The ribbon and butterfly were then glued to the card front.
  5. I finished with copper PVA pearls and glitter glue on the wreath, blue PVA pearls along the base strip.

Kingfisher Scene Cards created for Chocolate Baroque

AW Kingfisher 1

AW Kingfisher Scene 10

Good afternoon. Today I am sharing another couple of my TV show samples for Lesley Wharton and Chocolate Baroque using the Kingfisher Song and scene building stamp sets recently featured on Hochanda. The aperture ‘waste’ from one card was used to create the background scene on the other.

Materials:

  • Kingfisher Song, Sticks & Stones, Baroque Meadow, Silhouette Grasses, Words to Dazzle and Sparkle stamp sets
  • 15 X 18cm card blank (Kraft card), 18 X 20cm card blank (white), card for background mat & layers (white), white stamping card (Sheena Douglass), waste copy paper (for masks), scrap card (brown and green for foliage die cuts)
  • Inkpads: Versafine (Black Onyx), Memento (Tuxedo Black), Distress Ink (Victorian Velvet)
  • Ink sprays: Lindy’s Stamp Gang (Cocklebells Coral, Opal Sea Oats, Azure Sea Asters)
  • Spectrum Aqua watercolour pens (pinks, greens, browns)
  • Spectrum Noir Sparkle pens (clear, gold, pink, green, and turquoise)
  • Cosmic Shimmer PVA pearls (Olympic Gold)
  • Fine tipped pen (brown) and Spectrum Noir alcohol pen (brown)
  • Soft Form Relief Paste (Gold and Silver)
  • Starlight Metallic Paints (turquoise, pink, gold)
  • Rectangle dies approx. 9.5 X 12cm and 6.5 X 3.5 cm (Heartfelt Creations Cut Mat Create set), dies to cut rectangular frame (Tattered Lace Rectangle Accordion), dies to cut twigs (Sheena Douglass) and ferns (Tattered Lace Floral Layers Leaves 1)

Creating the Kingfisher embellishments:

AW Kingfisher 1 SP

The twigs and ferns were cut from coloured card and further coloured with watercolour pens (to give them more dimensional colour).

The cut out card kingfisher was stamped with Versafine and coloured with watercolour and sparkle pens. The kingfisher scene stamp was used for this, the rest of the scene being cut away and discarded.

AW Kingfisher Scene 8

The larger dimensional kingfisher was created by spreading gold and silver Soft Form Relief Paste over the stamp. This was left to dry overnight before peeling off the stamp. Rough edges were trimmed away and further colour added using the Starlight Paints (leaving some areas of gold and silver paste showing through).

Creating the Kraft card blank:

AW Kingfisher 1

The frame and central background mat were cut from white card using the Accordion die (largest die). This creates an attached mat which was snipped away from the outer frame. Faux stitching was added with a fine pen using the pin holes as a guide. These were then glued to the Kraft card blank (finished size approx. 15 X 18cm). If you don’t have this die you could easily use other rectangle dies to produce similar.

Creating the background scene and scenic frame:

AW Kingfisher Scene 6

AW Kingfisher Scene 7

An A4 sheet of stamping card was spritzed with inks, spraying blues nearer the top and golds at the base. The sheet was trimmed to slightly under 18 X 20cm and a sentiment mat cut from the excess (6.5 X 3.5cm).

Grasses and butterflies were stamped along the bottom edge using a mix of watercolour pens. Tip: Brush the colours directly onto the stamp then ‘huff’ onto the stamp before stamping. Moisture in your breath reactivates any partially dried watercolour.

The aperture was cut with the rectangle die (approx. 9.5 X 12cm). Edges were inked with Distress Ink.

Finishing the simple kingfisher card:

AW Kingfisher 1

Additional ferns were stamped in dark green along the base. Finished by gluing the scenic mat, kingfisher, branch and fern embellishments to the card front with 3D glue for added dimension.

Creating the scene for the frame aperture:

AW Kingfisher Scene 1

Stamping card (larger than the aperture 9.5 X 12cm) was spritzed with inks in the same way as the other scene backgrounds.

The scene was built up working from the foreground base upward, stamping with Memento (waterproof when dry).

AW Kingfisher Scene 2

Scene components were stamped onto copy paper and cut out to create masks. These were simply laid in place, covering the appropriate stamped images, before stamping the next scene layer. Tip: To stop masks moving while stamping you could use a couple of dots of zig 2 way glue on the back of the masks. Leave it to completely dry clear before placing the masks (the glue goes on blue and dries clear). This then acts as a temporary adhesive to hold the masks in place.

AW Kingfisher Scene 3

I continued building up the scene using masks where needed.

AW Kingfisher Scene 5

The scene was trimmed down to fit behind the aperture and coloured with watercolour pens. Silhouette grasses were stamped in the foreground with Versafine. The sentiment was stamped onto the sentiment plate.

AW Kingfisher Scene 10

A couple of quick and easy cards created for Chocolate Baroque

 

Good morning. Today I have a couple of quick and easy makes using the Baroque Meadow stamp from Chocolate Baroque. There is more inspiration and quick makes from my Teamies on the CB Blog.

 

AW Magical Day CAS

I stamped the foliage with Versamark Ink and embossed with white powder. The background was then coloured with inks. The sunray stencil was laid on top and I gently sponged with water and blotted to remove some of the colour. Finished by stamping the sentiment and twig. I used green pen to edge the card and frame.

 

 

AW Missing You CAS

The images were stamped onto a tag with Distress Ink – so quick and easy with the beautiful Baroque Meadow stamp. The card was edged with black pen and a little Distress Ink to frame.

 

 

Materials (Magical Day):

 

Materials (Missing You):