Four Seasons Embroidered Button Clock created for Gina B Silkworks

Today I am sharing my project created with the new MDF Button Display Clock Set from Gina B Silkworks. My design was inspired by Gina’s lovely 4 Seasons Mirror Button Brooches Kit. I used the same freestyle ‘lace’ embroidery technique to create the embroidered trees into the central section of the clock, adding depth to a painted scenic background.

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I created 8 more thread wrapped and embroidered buttons to fit the Spring, Summer, Autumn and Winter theme for display around the perimeter. Instructions were from various button kits available from Gina along with my own thread stash and colours. Kits included the Victorian Button Journal Kit, Snowflake Button Pattern Pack and the Woven Button Motifs Design Booklet.

Materials

Other optional accessories:

Circle Button Gauges (helps with even placement of thread wraps and embroidery on buttons)

Button Makers Third hand Tool & Tin (contains beeswax and a third hand for holding part wrapped buttons when changing colours and finishing etc.)

How it was done:

Preparation of the buttons for display:

I first created the 4 Seasons Mirror Buttons as given in Gina’s kit instructions. The kit contains enough materials to create 8 buttons; 2 of each of the 4 seasons. It also contains all the components, threads and needles required.

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With one set of buttons I created 4 pendants (they are intended for making a necklace or brooch).

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My second set of buttons were used for my clock display to place on each of the 4 main quadrants.

I next worked 8 more buttons for the display, 2 more for each seasonal clock quadrant. Instructions were followed from Gina’s Original Snowflake Pattern Designs, Victorian Button Journal Kit or from her Woven Button Motif Design Booklet. You could include any buttons that you like by creating in colours and designs to suit the seasons.

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Four buttons were made on fabric covered slightly domed wooden moulds from my stash. You can use the 25mm flat button moulds included in the clock kit instead. Just cut some felt circles to place on the button front before covering to give a bit of padding and shape.

To cover my buttons I cut fabric circles approx. 45mm in diameter (i.e. enough to cover front and wrap around back of button). I then worked a row of running stitch to gather up and pull in the fabric over the button back.

I then worked designs from Gina’s Original Snowflake Buttons Designs or from her Victorian Button Journal Kit.

Top Left – Spring Button: Victorian Bordered Star pattern in pink perle cotton. I embellished with extra stitching and French knots in yellow perle cotton.

Top Right – Winter Button: Snowflake pattern C in white perle cotton, working on a fabric base rather than a thread wrapped button base. I also added a little extra stitching around the perimeter.

Bottom Left – Summer Button: Victorian Flower pattern in purple and yellow perle cotton. I added some extra French knots to the centre.

Bottom Right – Autumn Button: Victorian Lace Circle pattern in red and yellow perle cotton.

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The next 4 buttons were worked on 25mm flat button moulds as included with the clock kit. I worked designs from Gina’s Original Snowflake Buttons Designs or from her Woven Button Motif Design Booklet.

Top Left – Spring Button: Woven Button Flower Sprig design in off white, green and orange perle cotton.

Top Right – Autumn Button: Woven Button Leaf Style 3 design in brown & orange perle cotton for the base wrap and green for leaves.

Bottom Left – Summer Button: Woven Button Lavender Flower design in pale yellow perle cotton for base and green & orange for woven flower.

Bottom Right – Winter Button: I worked a 6 point wrap with perle No.8 pale green thread and worked the Snowflake Pattern B with white perle No.8 thread.

Decorating the clock:

I first covered my clock base with white Gesso. This step is not essential but it provides a good base for painting. A clean bright base will show acrylic colours to their best. Particularly if using semi transparent acrylic colours (different paints vary in opacity) where the MDF base colour would affect the overall colour of subsequent painted layers). It also saves acrylic paint as it stops paint absorbing into the porous MDF.

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The clock was then painted with acrylics to create a background scene on which to work the embroidery.

In keeping with the 4 seasons theme I painted a background sky with clouds on the top half of the clock (which will be my Spring and Summer clock quadrants). In the lower right foreground I introduced greens, browns and red to represent the Autumn colours. In the lower left I used pale and white colours for my Winter quadrant.

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I introduced texture by ‘stamping’ paint onto the surface using the sea sponge. This was worked really quickly and randomly, just to give the impression of foliage. It is important to rinse paint out of the sponge quickly when done (acrylics dry very quickly and will ruin the sponge if left to dry).

Once the paints were dry I used alcohol markers around the clock edges to neaten and to frame.

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I laid out the buttons into their positions to check how they looked (not stuck down yet).

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Dark green perle 8 cotton was used to wrap around the thread spokes. This was to create an outer frame on which to anchor the tree embroidery.

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I wrapped around the edge of the clock 3 times to create a neat frame. I used a little Transparent Powertex on the back of the clock (behind the spokes) to anchor and glue the threads down securely and prevent them working loose (leaving the front threads free).

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Next the main tree trunks, branches and roots were created using similar techniques as used in Gina’s 4 Seasons Mirror Buttons – only on a much larger scale. I didn’t take a lot of step by step pictures here (sorry) but will try and talk through how I went about it with tips to help you create similar.

While working this embroidery it is really important not to add too much thickness or depth which would impede movement or catch on the clock hands. I tried on the hands to work out the clearance needed, paying particular attention to the short hand which fits closest to the clock base (subsequent hands fit slightly further outward). The clock hands are fairly soft metal so can be very gently eased upward slightly if needed (if you do this you would need to adjust the angle of all the hands so that they don’t catch on each other). The tightest depth area is in the very centre of the clock so I kept this area free of embroidery.

Should you have a bit of a disaster don’t fret. After all that hard work, all is not lost. Clock fittings are easily available from various online sources with different spindle depths, so a fitting with a longer spindle could be substituted if needed.

To work the trunks, branches and roots I used a mix of perle 5 and 8 threads in browns, greys, and creams. Stranded cotton threads could also be used, splitting them down and working with 3 or 4 individual strands together.

To start I tied thread onto the outer frame and worked back and forth laying threads loosely across the clock, tying top and bottom to make the main trunk foundation. Next I started weaving and wrapping threads, working up and down the trunk and taking branches and roots off to the edge. As the extra branches were worked the embroidery was pulled more tightly to hold it flatter. This tightened up the main trunks. Weaving and wrapping also tightened things up.

I first worked the right hand tree using warmer, deeper and richer browns and creams. This half represents the Summer and Autumn quadrants. I then worked the left hand tree in cooler colours to represent Spring and Winter sections. Where the branches intersected I was careful not to increase the embroidery depth, working branches that intersect in sections (rather than creating a double thickness where branches crossed).

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Here is a closer view showing the colour contrasts and stitching detail. I tried to create the effect of light coming through the centre by using lighter colours on the inner tree trunks. I also added extra texture using occasional French knots.

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I again laid out the buttons to see how they looked (not stuck down yet). Woohooo – I so enjoyed making this. Next for the foliage.

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Before gluing down the buttons I worked the foliage and blossoms. I used stranded cottons (working with 3 individual strands) in a variety of greens and lemon for the foliage, worked in random French knots. Again I used deeper, warmer colours on the right hand tree. Variegated threads are nice to use as you automatically get a mix of colours while working.

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I then added pink blossoms to the left hand tree.

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Finally I worked more French knots along the root sections; warm Autumnal colours on the right and Winter colours on the left. Little grassy tufts were worked by tying on wisps of thread.

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Next I stamped the sentiment using Stazon Ink. I thought that the ‘time flies’ sentiment suited the time going through 4 seasons theme.

Before gluing down the buttons I treated them, and the embroidery, with Transparent Powertex in order to seal everything. Powertex is primarily a fabric stiffening medium. It also acts as a glue so helps to hold down all the embroidery onto the clock face so it keeps it all flat and less likely to lift and catch on the clock hands. A damp cloth can also be used for cleaning as Powertex provides a waterproof seal. It also does not discolour with time (whereas some glues certainly would).

To get a nice finish with Transparent Powertex you need to take care not to over flood it. Too much could leave a ‘gloopy’ looking finish. I use a paint brush to work the medium well into the fibres, working small sections at a time. I then quickly remove any excess from the surface quickly (before it starts drying and going tacky) by dabbing with a clean cotton rag (e.g. old tea towel). I find that this method works really well and makes the finish hardly noticeable.

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Finally I glued down all my buttons using clear drying thick acrylic gel medium (other 3D glue gels would work too). If you would rather be able to change your buttons around then use Gina’s recommended method and make a button shank to hold your buttons on with pins.

Delighted with my finished clock and I had so much fun creating it. It was definitely a labour of love, not a quick make, but well worth it.

Hoping that you are all keeping well during this difficult time. Let’s hope that time does fly for us all and that we are back to some sort of ‘normal’ living very soon. Take care.

Happy Crafting, Anne x.

Spooky Halloween Tassel

Good afternoon. I just had to share a Halloween make today. I hope that you like this creepy tassel that I made as a sample for Gina’s recent tassel making shows on Hochanda TV.

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Materials:

  • Polystyrene egg
  • Orange mesh ribbon (approx. 1 inch wide)
  • Commercial embellished cord – orange felt flowers, pearls, beads, sequins, pumpkin shaped metal bells attached to orange raffia cord (from my stash)
  • Double knit wool (gold/ochre)
  • Black ribbon and commercial black cord scraps
  • Black die cut sentiment ‘Boo’ (Tattered Lace Die)
  • Bats and spiders cut on my Silhouette Cameo machine from black card (Silhouette Store: ‘Spider Web Lantern’ from Jennifer Rush and ‘Bats Flying’)
  • Gold and black flower shaped sequins
  • Strong cotton thread for tying (I used warping cotton but a button thread would work too)
  • Clear drying fabric glue or PVA
  • Sewing needle & thread, extra-long sewing needle (e.g. Shashiko or doll needle)

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Recommended Tools and Tassel Tutorials:

Gina B Silkworks has a fab selection of tools and publications which will help you to make a range of tassel embellishments: from soft tassels suitable for clothing, to more complex tassels for soft furnishings. Here are a few items that I can recommend for tassel making.

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How it was done:

  1. I first covered the egg by wrapping with the mesh ribbon. It was easiest to wrap in a top to bottom direction (i.e. turning the egg on a vertical axis as wrapping around). Secured with a couple of stitches and fabric glue.
  2. I next made the long wool tassel skirt and tied with strong thread. I used the extra long needle to secure it onto the egg. I passed the needle up through the egg to anchor, and out of the top to make a hanging loop. The join was covered with black cord to neaten.
  3. The neck of the tassel was then bound with strong cotton. I secured lengths of the embellished raffia cord into the binding. This was then covered with a black ribbon wrap and tied bow.
  4. Next I glued on the spooky embellishments and sequins. I attached the bats and spiders onto the cords by gluing 2 cut shapes together sandwiching the cord between the card shapes.

Happy Halloween x.

Gina Barrett is back on Hochanda TV tomorrow with more buttons

Gina Barrett is back on Hochanda TV tomorrow at 10am (Freeview Channel 85 or watch live via their website www.hochanda.com) bringing more of her marvellous button kits, book and DVDs.

Here is a sneaky peek of my button display. I used Tonic Kaleidoscope Box dies to create the box and adapted the sides to drop down and display the buttons. I used a variety of Gina’s instructions for the buttons (Macclefield & Leek Button Journal Kit, Button Workshop Manual and Making Buttons DVDs). There are brilliant Hochanda Freedom member prices on the show!

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The mannequin die is from La Blanche.

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I used a variety of papers to decorate (Crafters Companion).

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I used plenty of glitter glue to enhance the flowers (got to have some sparkle – tee hee) and PVA pearls for texture.

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The sentiment die was quite appropriate (Tonic Kaleidoscope Box set).

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When the lid is removed 5 of the 8 sides drop down to display my selection of thread wrapped buttons. I used a honeycomb die (Tattered Lace) and various button dies (mixed source from my die stash). Lettering was cut using a font die set from Tim Holtz.

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The mini flower dies are from the Susan’s Garden Hydrangea set (Elizabeth Craft Designs).

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Death’s Head is the name of the historical wrapped button – name used here (England) and the USA in the 18th Century.

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Death’s Head buttons using a variety of threads.

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More Death’s Head buttons using a variety of threads and different shapes of button mould.

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The buttons on the right are my variants of Gina’s Union Jack Button (Button Workshop Manual). The far left shows an over wrapped fabric covered button (Open Square with Soutache Braid). The pink and blue buttons are my interpretation of a 17th Century button that I saw on Pinterest (Death’s Head base overwrapped with cord and bound with silky thread).

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More of Gina’s yummy buttons (Peace and Maze).

 

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Various square wrap buttons (Silver, Decorative and Gimp Squares).

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Square wraps and Leek Square.

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Spiral and Wide Wraps.

I have had so much fun learning how to create all these but have barely scratched the surface of the huge variety that Gina covers in her books and DVD’s. It is also wonderful to contribute towards keeping knowledge of these techniques alive. Especially as many of these Passementerie techniques are now in danger of being lost completely.

Happy crafting,

Anne xxx.

Tassel Projects created for Gina B Silkworks

I am getting really excited. Gina is launching her next book in the Total Trimmings Series today – all about tassels. I literally squealed with delight when my copy arrived. I have had so much fun helping out with samples ready for the shows on Hochanda TV starting today (at 6 and 8pm), more shows tomorrow (9am, 1pm and 5pm).

Watch live on Freeview Channel 85 (UK) or online via their website at www.Hochanda.com

In addition to the book Gina will be launching a great bundle (One Day Special offer) including the Paperlathe system with a brand new Companion CD enabling you to make so many wonderful shapes for tassel tops, mixed media and bead making. Whether you like soft crafts, mixed media or jewellery making you will love it. The small tassel board is great for making mini tassels suitable for both trimmings and for jewellery.

Check Gina’s Facebook page for some examples of the Paperlathe shapes and wonderful tassels in the new book.

Here is a sneak peek at some of the tassel samples I made for the show. I had so much fun. Tassels for jewellery, home furnishing and I just had to do Halloween. Also some mixed media fun using recycled materials including a used tape runner, hanging ribbons cut from blouses and skirts, plus a bag created from recycled jeans and old textile trimmings with added tassels.

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The Paperlathe system provides hundreds of different shapes and the new Companion CD provides even more possibilities with more tassel tops, fabulous stands (fab for mixed media – great shapes for box feet etc. too) and more bead shapes too for jewellery and embellishing.

I will share more details of the projects with you soon x.

Projects using Recycled Paper Beads created with the Paperlathe from Gina B Silkworks

I am getting really excited. Gina is launching her next book in the Total Trimmings Series today – all about tassels. I literally squealed with delight when my copy arrived. I have had so much fun helping out with samples ready for the shows on Hochanda TV starting today (at 6 and 8pm), more shows tomorrow (9am, 1pm and 5pm).

Watch live on Freeview Channel 85 (UK) or online via their website at www.Hochanda.com

In addition to the book Gina will be launching a great bundle (One Day Special offer) including the Paperlathe system with a brand new Companion CD enabling you to make so many wonderful shapes for tassel tops, mixed media and bead making. Whether you like soft crafts, mixed media or jewellery making you will love it. The small tassel board is great for making mini tassels suitable for both trimmings and for jewellery.

Check Gina’s Facebook page for some examples of the Paperlathe shapes and wonderful tassels in the new book.

Here is a sneak peek at just some of the samples I made with recycled wrapping paper beads.

AW Paperlathe Bead Projects

The Paperlathe system provides hundreds of different shapes and the new Companion CD provides even more possibilities with more tassel tops, fabulous stands (fab for mixed media – great shapes for box feet etc. too) and more bead shapes too for jewellery and embellishing.

The macrame projects were made with the help of Gina’s Total Trimmings Book 2 (Decorative Knotting).

Lots more to share with you soon x.

Release of Paperlathe and New Tassel Making Book from Gina B Silkworks

 

I am getting really excited. Gina is launching her next book in the Total Trimmings Series today – all about tassels. I literally squealed with delight when my copy arrived. I have had so much fun helping out with samples ready for the shows on Hochanda TV starting today (at 6 and 8pm), more shows tomorrow (9am, 1pm and 5pm).

Watch live on Freeview Channel 85 (UK) or online via their website at www.Hochanda.com

In addition to the book Gina will be launching a great bundle (One Day Special offer) including the Paperlathe system with a brand new Companion CD enabling you to make so many wonderful shapes for tassel tops, mixed media and bead making. Whether you like soft crafts, mixed media or jewellery making you will love it. The small tassel board is great for making mini tassels suitable for both trimmings and for jewellery.

Check Gina’s Facebook page for some examples of the Paperlathe shapes and wonderful tassels in the new book.

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Here are some of the shapes that I made from the original Paperlathe system. I created the beads using recycled wrapping paper. Coating them with varnish or clear embossing powders seals them and makes them more robust, finishing them with a lovely gloss shine.

The Paperlathe system provides hundreds of different shapes and the new Companion CD provides even more possibilities with more tassel tops, fabulous stands (fab for mixed media – great shapes for box feet etc. too) and more bead shapes too for jewellery and embellishing.

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Delighted with these made with recycled wrapping papers. They will look even better once varnished.

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More recycled papers.

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These look great in just plain wrapping paper. Just one layer of gloss varnish looks fab.

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More stunners. I just love how the patterned papers work out.

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I love how these turned out – they look a little oriental. Just need to add some varnish to finish.

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Really pleased with my first attempts. These are now ready for covering and making tassel tops. I printed them onto the back of recycled copier paper – I love any opportunity to recycle waste.

I have been busy making lots of samples for the shows and will share more finished work soon xxx.

Recycled Bottle and Glass Mixed Media with Powertex

I simply love to recycle, upcycle and repurpose so this project using a recycled wine bottle and a set of cheap cocktail glasses from the charity shop was a perfect project for me. I also used some of my old T shirts and fabric scraps too.

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This set is now perfect for any festive or celebratory occasion. The bottle could be used either as a decanter (by using with a bottle stopper or cork) or used with a slim candle to adorn the table. Using Powertex enables items to be easily washed too.

Materials used:

How it was done:

The bottle was actually a project that I started on my level 1 Powertex Tutor training. I was fairly happy with it but I had always wanted to take it a few steps further. I am definitely a ‘more is more’ type of girl and I wanted to add extra embellishments to complete it – but what? Sadly it got confined to the corner for over a year before the idea finally came to me when I came home from the charity shop with my set of cocktail glasses.

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The lemon coloured glasses inspired citrus, the blue coloured glasses inspired berries – yay – off we go!

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Starting with my bottle: Blue Powertex medium was used to coat recycled T shirt fabrics and hessian which was draped around the bottle to give texture. Kitchen paper was separated into single ply and blue Powertex was used to glue it around the neck of the bottle to give added texture. Blue Powertex was also used to paint and glue the plaster face.

Eeeek – I was freaking out a bit this stage as it looked awful. I will say that this was part of the training. We were given a few challenges! The blue is a gorgeous colour but not necessarily the easiest for your first ventures. If you are a beginner I would recommend starting with Bronze Powertex and colouring as I did for the blue glasses as given below; achieving a similar final result with less palpitations – tee hee.

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Spritzing with Brown and Red Bister gave a nice purple muted effect which was lovely, and also blended in the darker T shirt material nicely. Powercolor and Colortricx Pigments were mixed with Easy Varnish and dry brushed over the piece to highlight textures. The dry brushing really does make so much difference! Ooooh much happier now, but as I said – it needed more work in my mind.

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Now for the embellishments: With fruit embellishments in mind I mixed up some Stone Art with Ivory Powertex to make a clay and used silicone moulds to make citrus slices, nuts, leaves and berries. Once dry I used Secret Art Loft Acrylics to paint them.

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When painting the fruit slices the outer ring of pith was left unpainted. Dry brushing with Ivory Powertex was used to highlight the central pith texture and make the lemon slices look more realistic.

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The same with the orange slices.

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The berries and nuts were also painted with Secret Art Loft Acrylics. I mixed colours to give a more naturalistic look.

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Varying colour mixes and depth.

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Purples, pinks, oranges and green mixes were used to colour the berries. Once coated with varnish (last steps) they looked quite realistic.

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Various fruits, nuts and leaves were used to embellish the bottle. Items were stuck down using Transparent Powertex. Where needed 3D sand was mixed with Bronze Powertex in order to make a 3D glue to stick down shaped embellishments on the textural surface.

Yay – fulfilling my ‘more is more’ – ha ha.

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Secret Art Loft pigments were mixed with varnish and were dry brushed over textured areas and over the berries to give extra pearlescent sheen.

Coloured Powertex is weatherproof and therefore washable. Acrylic paint layers were further protected by painting with Easy varnish to ensure that the bottle was fully washable. The varnish also enhanced the painting and gave the fruits and berries a lovely sheen. Happy bunny.

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Next to decorate the glasses: I collected together varied textural fabrics. The blue background is my plastic shower curtain that I use to cover my bench – joyous messiness evident!

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The glass stems and base of the bowls were painted with a coat of bronze Powertex. Any drips were removed with a damp cloth. T shirt fabric was cut into strips and stretched to make a ‘cord’ for wrapping the stems. More fabrics and T shirt strips were coated with Bronze Powertex and wrapped around the glass bowls. The T shirt cord held everything in place around the top of the glasses while drying. I applied the main 3D texture just to one face, leaving the backs flatter (otherwise they might get in the way when drinking from the glasses). The smoother stems made them easy and comfortable to hold.

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The blue glasses were embellished with berries and textures enhanced with dry brushing using the blue/purple toned Secret Art Loft Pigments.

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Oooh yummy.

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The yellow glasses were embellished with citrus slices and textures enhanced with dry brushing using the citrus and gold toned Secret Art Loft Pigments.

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More yummy.

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I hope that you like my celebratory table set. I really enjoy making these – and using now them – special glasses seem to make the contents more special too.

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Happy crafting, Anne x.

Ganutell Flowers on Hochanda TV today from Gina B Silkworks

Two great shows on Hochanda TV today from Gina Barrett (Freeview Channel 85 or watch catch up online from their website www.hochanda.com).

 

The first show was at mid day today (Sunday 31st March) with the Ganutell flowers (to watch catch up you can select the TV Schedule and pick the show to watch from there). At 4pm there will be a Teneriffe Lace show.

 

I used the Pretty Posy (pink version) Kit to make two variations of this necklace (using extra thread and wire from my stash). One I hung on a vintage brass chain, the other I created a wirework collar with vintage brass effect coated copper wire and beads. I will blog more details of how I created them soon.

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I also had a lot of fun making flowers from the Ganutell Country Flowers Book.

I made a lovely poppy brooch for remembrance.

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I had a lot of fun creating a fairy door with lovely floral garden. I used various Powertex media and recycled packaging to create this and will blog more details later for you.

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Finally I made a floral Dream Catcher wreath.

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Japanese Yubinuki, Hishikazari and Sagemon from Gina B Silkworks

Japanese crafts from Gina B Silkworks will be on Hochanda TV tomorrow (4pm – Freeview Channel 85 or watch online via their website hochanda.com).

Here is a little sneaky peek of my show samples. Gina will be bringing a variety of tools and kits to create some lovely Japanese decorations including Yubinuki, Hishikazari (Dragon Boats) and Sagemon characters.

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I will be blogging more details of my samples over the next couple of weeks.

 

Bye for now, Anne xxx.

Flower Girl Figurine Garden Sculpture with Powertex

This is my first attempt at a figurine. She took me a long time to finally get finished, having started her over a year ago at my Level 1 Powertex Tutor Training! Now that she is finally done I love my Flower Girl – and I call her ‘Bestower of Beauty’.

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She stands approx. 49cm high.

Materials used:

How it was done:

The body was shaped over the wooden pole using the card inner tube stuffed and wrapped with foil and covered with masking tape. The plaster head was taped onto the top.

T shirt yarn was then wound tightly around the torso and down to the base of the pole. I made a bit of a decorative wrap over the torso to create the dress bodice. The whole thing was then given a coat of Bronze Powertex, working it well into the fabric.

 

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Fabrics were then coated with Powertex and draped over the body to create the clothing. I used a knitted fabric (Stockinette) to create the illusion of arms by allowing the knit to curl around on itself to give dimension.

A small amount of Power Cotton was added to make small hair plaits draped over her shoulder, and fine lace added to make a headdress. Another piece of T shirt yarn was used to create a tie belt and helped to hold the skirt securely in place. The crochet skirt was draped down and over the base.

During the training course I started the dry brushing technique, mixing pigments into Easy Varnish, to add some colour and bring out the different textures. I used Bronze Colortricx to colour the face, shoulders and hair, plus to add colour around the base. Blue and green Powercolors were used (mixed with a little white) to dry brush and highlight clothing texture.

I was delighted with what I had achieved but came home with my figurine always intending to add more colour (you know how I LOVE colour) and floral embellishments to turn her into a gorgeous flower girl. Sadly she sat in the corner for around a year before I finally pulled her back onto my work bench!

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I began by adding much more colour, intense in places, to colour her clothing using the new colours from The Secret Art Loft. I tried to keep most of this colour to the top layers of texture so as to keep depth in the fabric folds. I also added more colour to her face and lips, plus a little shading over the eye lids.

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Flower and leaf embellishments were created using Art Stone mixed with Powertex to make a clay which was pressed into silicone moulds. When dry they were coloured with Secret Art Loft Pigments mixed with Easy Varnish and glued in place with Powertex. I also created a suggestion of arms and hands using Stone Art clay. The bad modelling was disguised by carefully placing the bouquet of flowers in her arms – ha ha.

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The flowers were also applied onto her dress and down around the base. More texture was added to the base by sprinkling 3D Sand & Balls into wet Powertex.

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I spiralled the flowers down and around the hem of her skirt.

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Here you can see lots of textures in her outfit, and pretty coloured flowers in her hair.

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Another view showing her back.

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She looks beautiful standing in the garden. Although she is weather proof I would definitely have to add extra weight (e.g. a concrete base) or add a small garden spike to the base, as she is very vulnerable to toppling over in the wind. I am going to be keeping her indoors so she will be ok as she is.

 

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However, she does look gorgeous alongside my unicorn! I might change my mind and adapt the base for outdoors – sure that I have a bit of broken paving slab somewhere – that would do the trick.

I hope that you like my ‘Bestower of Beauty’.

Bye for now, Anne x.