Adjustable Kanzashi Flower Ring Powertex Jewellery

Today I am sharing a pretty little adjustable Kanzashi flower ring created using fine printed cotton fabric which has been treated with Transparent Powertex to stiffen and protect it. Treating with Powertex adds strength and protects against dirt. Ideal for jewellery pieces.

There are lots of videos on YouTube showing Kanzashi flower making but most are using synthetic ribbons which are joined and sealed by melting. I used instructions from Gina-B Silkworks (this was a sample for her recent show on Create & Craft TV). Gina’s method is the traditional Japanese way using natural fabrics (silk or cotton). Being natural fibres these little flowers are simply ideal for treating with Powertex. Ready-made silk flowers could work very well too.


AW Kanzashi Ring 6

Really pretty and comfortable to wear (sorry that my hands are older crafters hands and not modelling quality – tee hee).


AW Kanzashi Ring 5

The ring is adjustable so easy fitting.


AW Kanzashi Ring 2

I coloured the back to match the wire colour. You can also see the adjustable ring form more easily in this pic – the backing and flower being secured to one of the flat wire coils.


Note: One thing to consider when using transparent Powertex is how it will affect the colour of the fabric. It will considerably darken many fabrics, giving them the appearance of their colour when wet. Always test out a spare scrap first so as not to be disappointed. The printed cotton that I used here changed very little in colour so I was really pleased with the result.


Tools and Materials:

Optional extras:

I used additional tools for making the flowers which are really helpful and make the process easier. They are not essential but you will probably want to get them if you decide that you like this craft.

  • Pack of straight and bent fine tweezers – great for manipulating fiddly items such as the small fabric squares while folding, and for placing the petals. I would say that tweezers of some sort are pretty essential unless you have really nimble fingers.
  • Kanzashi Flower Making Tool Kit – contains a mini turntable, gluing table and spreader plus a small drying table. Great to have.
  • Petal Holders & Medium Drying Table – another useful kit if wanting to make several flowers. Cotains 2 sets of petal holders (for small and larger petals) plus a bigger drying table (for more flowers).

How it was made:

AW Kanzashi

AW Kanzashi 2

My Kanzashi flower makes using the starter kit. I used the 7 petal rainbow one for the ring.

  1. I used the in Gina’s starter kit to make the seven petal rainbow flower. Basically little fabric squares are folded to make petals. The raw edges of the petals are then placed in thick Kanzashi starch to hold their shape while making up all the petals and building the flower. The petals are then glued to a base piece of cotton using PVA glue and left to dry overnight. Excess fabric on the base is then snipped away. I glued a small metal brad into the centre with Gemtac glue. Sorry that I am unable to give full instructions here for the flower as the specifics of this flower design belong to Gina.
  2. To make the adjustable ring I wrapped the wire around a ring mandrel and tapped the wire lightly with the hammer to work harden the ring structure. A nylon hammer helps protect against stripping off the coloured coating.
  3. I trimmed the wire and made a small curl on one side using the round nosed pliers. On the other side I made a larger curl, big enough to sit the flower onto the front and the wooden cabochon onto the back. I worked hardened and slightly flattened the wire curls using the hammer and steel block.
  4. I added a coat of clear Powertex to the back/base of the flower and wooden cabochon and left until touch dry. I then added another coat of Powertex (as a glue) and used Powertex Easy Structure to fill the voids in the wire curl, attaching the wooden cabochon to the back and flower to the front of the larger wire curl, and left it to cure overnight. The Easy Structure paste makes a nice solid bridge holding everything securely onto the back and front of the wire curl. A little Stone Art Clay would also work. Note: If you don’t have a suitable wooden cabochon a thick card/board or MDF shape could be substituted. I would advise an absorbent natural material for a strong bond with the Powertex. It also needs to be smooth so as not to scratch or irritate the skin when wearing.
  5. I then painted the cabochon and flower with Transparent Powertex, working it well into the fabric flower and crevices with a brush. Tip: If you find that you have big blobs or pools of Powertex use a piece of cotton rag to lightly dab and mop up the excess, or it can dry giving shiny blobby areas which will spoil the natural look and texture of the fabric flower. Leave to dry.
  6. Finally I painted the back of my cabochon attachment and flower base using Starlight acrylic paint. The colour match was simply perfect for the metallic pink wire that I used. If you are using copper, silver or gold plated wires you could paint with Colortricx pigment and Easy Varnish instead (to coordinate with your wire).

Powertex treatment has made this delicate fabric flower ring much more robust and protected against dirt – a more functional piece of jewellery. For further protection and full waterproofing you could add a final coat of Easy Varnish.

Spring Bird Heart Pendant created for Chocolate Baroque

AW Bird Pendant 1

Good morning. Today I am sharing one of my TV show samples using the Spring Birds Daffodil stamp set from Chocolate Baroque. This was done in rather a rush to catch the post so I just upcycled an old sparkly floral pendant and chain to finish. However, it does mean that this is a really easy project for beginners to make. No specialist tools or jewellery making techniques are required.

I am thinking of making another version with a more elaborate necklace ‘chain’ – perhaps a beaded spiral rope in colours to co-ordinate? I will share when finished.



  • Spring Bird Daffodil stamp set
  • MDF heart approx. 6cm X 9cm (at widest points)
  • Pebeo acrylic paint (black) and gilding wax (gold)
  • Versamark inkpad
  • WOW embossing powder (Gold Rich)
  • Starlight Paints (Aegean, Cyclamen)
  • Small sparkly pendant and chain (upcycled)


How it was made:

  1. The pendant was painted with black acrylic and left to dry.
  2. The bird branch was stamped, embossed with gold powder and coloured with Starlight paints. I edged the pendant with gilding wax to finish.
  3. I used a Crop-a-dile punch to create a hole and looped the chain through. I secured the little floral pendant with a little 3D glue to cover the hole.

Cufflinks created from vintage brass buttons revamped with Pebeo Prisme and Moon paints

AW Cufflinks


Good evening. I thought that you might like to see some cufflinks that I created from vintage brass buttons decorated using speciality Prisme and Moon paints from Pebeo. I love these paints. Perfect for upcycling these plain buttons.

Some of my Soutache work featuring on Create & Craft TV tomorrow

I have some of my Soutache work featuring on the Beads Direct TV shows tomorrow .- Wooohooo, I am sooooo excited!

The next instalments of ‘Your Complete Guide to Jewellery Making’ are featuring on 3 shows tomorrow at 12, 4 and 8pm (Create & Craft TV Freeview Channel 23 – or watch online live – catch up videos remain online for a week at ).

Edition 15 features wonderful designs from Debbie Bulford. Edition 14 features Soutache – with some from me .

Bundle available with both CD ROMs and materials.

Visit Beads Direct to see a huge range of beads and jewellery making materials.

AW Baroque Dreams set

AW Night OWL inTree

AW Seahorses art1`

Woven bangles created for Beads Direct using the new Bangle Weaver Tool from Beadalon

I have had so much fun playing with the new Bangle Weaver Tool designed by Kleshna for Beadalon. I simply love it and my mind is bursting with ideas. It can be used to create so many different styles of bangle, from structured wire weaves to Boho and ethnic styles using fabric strips. Why not try recycling old T shirts, bedding or carrier bags.

Beads Direct asked me to create a few designs for their blog – they took some lovely pics too. Do check the Beads Direct Blog for lots of great projects from the Design Team.

AW Bangle Weave 1

The instructions included are very easy to follow, and it can be used to weave so many different types of materials, for example:

· Beading cable (e.g. 7 Strand beading wire)or monofilament (e.g. Supplemax)

· Recycled sari silk yarns or ribbons

· Shamballa (e.g. waxed nylon cord), cotton (e.g. waxed cotton) or rattail cords (e.g. satin)

· Leather (e.g. round cord) or suede cords (e.g. flat cord)

The possibilities are simply endless.

I find that Kumihimo bobbins are invaluable for keeping cords or ribbons manageable, or Spool Tamers if you are weaving beading wires. Bead stoppers are also handy for temporarily holding beaded cables or ribbons in place. You will also need blunt ended needles with a large eye to replace the warp. The bodkin set recommended by Kleshna is very good. However, when warping ribbon or fabric strip weaves I found that an extra-long bodkin (e.g. elastic threader available from haberdashery stores) was much easier to use. Note: The warp pegs are quite sharp so I would not recommend the tool for young children, and do protect you table top from scratches by using with a mat.

Woven Bangle Designs

I have created a few designs for you using Recycled Sari Silk Ribbons and 0.6mm Supplemax Monofilament along with various beads from my stash. I hope that they inspire you to get started with your own designs. I followed the basic instructions included with the tool for setting up, weaving and warping. I just love this fabulous tool.

Happy beading, Anne x.

Materials used:

· Recycled Sari Silk Ribbons (ST240)

· 0.6mm Supplemax Monofilament (W418)

· Classic White Vintage Bead Mix (BG0362)

· Berry Smoothie Blush Pink Vintage Bead Mix (BG0371)

· Glam Green Vintage Bead Mix (BG0363)

· Lucite Flower Bead Mix (BO435)

· Peridot and Lemon Toho Seed Beads Size 11 (11TR27 and 11TR902)

· Turquoise Toho Seed Beads Size 8 (8TR55)

· Hot Pink 3mm Cross Grain Ribbon (TC1076)

· Silver Plated Crimp Beads #2 (F317)

· 0.25mm Supplemax Monofilament (TC94)

· Co-ordinating Nymo or KO beading threads (for sewing)

· Silver Plated Headpins (F0043)

Floral Trellis Bangle

AW Floral Trellis Bangle

I used 0.6mm Supplemax, the vintage pink bead mix and a few flowers to create this bangle. I love the way that the beads appear to be suspended on the transparent woven trellis.

Unwind and cut off approximately 4m from the spool and thread with 231 beads from the pink mix. Wind onto a Kumihimo bobbin. I used a Bead Stopper to clamp the monofilament while weaving (you could crimp them together at this stage).

AW Floral Trellis 1

Weave 7 rows with one plain and one beaded strand, moving up 3 beads to the front per ‘wrap’ with the beaded strand. The weave holds the beads in place.

Unwind approximately 1.5m off from the plain spool before cutting. Pass one of the strands down through the warp to the other side to give the 2 warping strands. Warp the bangle according to the included instructions and secure using crimp beads. I adjusted the tension by pulling in the warp threads to give a bangle width of approx. 1.5 inches as I worked around.

Next stitch on flowers using the thinner 0.25mm Supplemax. Tie on the thread, pass up through the flower, add on a small lemon seed bead, pass back down the flower and tie/knot back onto the trellis. Weave the thread through the trellis between the flowers.

Spring Garden Bangle

AW Spring Garden Bangle

I used strips of the silk ribbon in yellows/creams and greens for the weave and 0.6mm Supplemax for the warp, then embellished with beads.

AW Spring Garden 1

Join the silk ribbon strips by stitching them together (just a couple of small stitches to anchor) using beading thread. Prepare approximately 1.5 to 2m each of yellows/creams and greens. Twist the strips and wind onto Kumihimo bobbins for weaving. Twisting the strips gives added strength and structure to the weave. After weaving 7 rows secure the silk strips with a few stitches.

Use approximately 2m of the 0.6mm Supplemax to warp, adjusting the bangle width to approx. 1.5 inches by gently pulling on both the warps as you work around. I generally prefer to tighten and adjust the warp as I work on silk weaves, rather than after the warp pegs have been removed.

Use crimps to secure the ends. Once removed from the warp pegs neaten the cut ends of the silk by stitching them down, hiding them on the inside of the bangle.

I found the use of an extra long bodkin really useful for pulling the warp strands though the channels of the ribbon weave. Tip: Push the eye of the bodkin through the channel, thread with the monofilament, and then pull through. Unthread and repeat pulling the cables through from each side.

Then use 0.6mm Supplemax to add small green beads (from the Glam Green Vintage Mix) along the top and bottom edges. Simply weave the cable through, following the pattern of the silk weave, adding 11 groups of 3 beads on each edge (i.e. you will need 66 beads in total). Secure with crimps, hiding them by burying into the silk weave.

Further embellish the bangle by stitching on groups of green beads, along with purple and white flowers, using co-ordinating beading thread. Use peridot seed beads to attach the green beads and flowers, and to create little beaded leaves. The leaves are made by threading 9 beads, passing back down the eighth bead, adding 6 beads and finally passing back through the first bead. Ensure that groups of beads are anchored well by stitching into the silk. Stitch through the back of the bangle when moving between beaded sections.

Blue Lagoon Bangle

AW Blue Lagoon Bangle

This bangle was woven in the same way as the Spring Garden Bangle. A random mix of blue and green silk ribbons were used but they were not twisted before weaving. I tightened up the warp tension after removing the warp pegs (as described in the instruction booklet). The resultant weave is softer and less structured than when using twisted strips. It is also more difficult to get an even tension. However, I was very pleased with the results, giving the design a more organic feel.

To embellish, first attach groups of 2 or 3 beads onto headpins. Anchor these onto the warp (buried in the silk weave) for stability, attaching them with wrapped loops. Further embellish by stitching on clusters of beads from the Glam Green Vintage mix, plus green and turquoise flowers, along with turquoise and peridot seed beads.

Tooty Fruity Bangle

AW Tooty Fruity Bangle

In this design I added beads (from the Pink Vintage Mix) onto the warp to create a border along the edges of the bangle. I also included a cross grain ribbon in the weave to give added texture.

Prepare approximately 1.5 to 2m each of bright pink and dark purple silk strips, twist and wind them onto Kumihimo bobbins. The bangle is woven in the same way as the Spring Garden Bangle but weaving with one pink strand, and combining a pink cross grain ribbon along with the purple strand.

Warp using approximately 3m of 0.6mm Supplemax and add a bead onto each warp strand before passing them back down the channel. Note: when adding beads to the outer warp edges they need to be fairly large when using silk weave. Smaller beads just disappear down into the channels.

Finally embellish by stitching sets of 3 beads in rows around the weave. You will need a total of 66 beads (11 groups of 3 per row).

Indian Rose Bangle

AW Indian Rose Bangle

I chose 6 different silk ribbon colours to weave this one. They were woven in the same way as the Spring Garden bangle but the colour combination was changed every 3 rows: green and purple for the first 3 rows, yellow and pink for the next 3 rows, cream and cerise for the top 3 rows. The bangle was warped using approximately 2m of the 0.6mm Supplemax.

Use the silk ribbons to create a flower and embellish using beads from the Pink Vintage Mix:

AW Indian Rose 1

Create 5 small cerise petals from 1.5 inch squares. First fold the square in half, then fold the outer edges to the centre and down to create a small folded triangle with raw edges along the base. Use small running stitches along the base to gather the petal.

Create 5 large turquoise petals using 4 X 1.5 inch strips. First fold the strips in half and round off the corners on the raw edges. Use small running stitches along the raw edges and pull up to gather the petal.

Arrange the petals and stitch them onto the bangle. Add beads to cover the centre and raw edges.

Encrusted Treasure Bangle

AW Encrusted Treasure Bangle

This bangle was woven using knotted silk strands along with a strand of beaded 0.6mm Supplemax (Classic White Mix). I just love the textures on this one.

Prepare approximately 1.5 to 2m each of turquoise/teal and mixed red strips, stitching lengths together with a few stitches to hold, and then knot over the join. Next knot the silk strips at intervals of approximately 2 inches right along the length. Don’t pull too hard or the silk will tear. Loosely twist the teal and red strands together and wind onto a Kumihimo bobbin.

Keeping the 0.6mm Supplemax on the reel, thread a length of approximately 1m with a random mix of the white beads. Weave the bangle in a similar way as the Floral Trellis, pushing up 3-5 beads to the front per ‘wrap’ with the beaded strand. The weave holds the beads in place.

Warp using approximately 3m of 0.6mm Supplemax and secure with crimps.

I have been playing with the new bangle weaver tool designed by Kleshna

I have been playing with the new Bangle Weaver Tool and have had so much fun. I simply love it and my mind is bursting with ideas.

AW Bangle Weave 1

To create your design you need:

· Something strong/stiff for the warp (to hold shape)

· Something to weave

· Something to further embellish (optional)

The instructions included are very easy to follow. There are 3 positions for setting up the warp pegs, allowing 3 sizes of bangle to be created. The tool is so versatile and can be used to weave so many different types of materials:

· Beading cable (e.g. 7 Strand beading wire)or monofilament (e.g. Supplemax)

· Recycled sari silk yarns or ribbons

· Shamballa (e.g. waxed nylon cord), cotton (e.g. waxed cotton) or rattail cords (e.g. satin)

· Leather (e.g. round cord) or suede cords (e.g. flat cord)

Weaving is very quick and easy. Beads can be incorporated into the weave by adding them to your cable or cord length before weaving. I find that Kumihimo bobbins are invaluable for keeping cords or ribbons manageable, or Spool Tamers if you are using beading wires. Bead stoppers are also handy for temporarily holding beaded cables or ribbons in place.

Replacing the warp can be a bit fiddly and takes longer than you might think. You will need blunt ended needles with a large eye to pull the warp through. The bodkin set recommended by Kleshna is very good. However, when warping ribbon or fabric strip weaves I found that an extra-long bodkin (e.g. elastic threader available from haberdashery stores) was much easier to use.

Beads can also be added to the warp. They can be placed between sections of weave or on the outer edges to create pretty beaded borders. Finally you can further embellish your bangle with beads, charms, silk flowers etc. There are just so many possibilities.

The warp pegs are quite sharp so I would not recommend the tool for young children, and do protect you table top from scratches by using with a mat.

I just love this tool. It can be used to create so many different styles of bangle, from structured wire weaves to Boho and ethnic styles using textiles. Why not try recycling old T shirts, bedding or carrier bags. The possibilities are endless.

I am currently weaving with silk ribbons and embellishing with beads. I will be sharing some of my designs with you all very soon. I hope that you will love this tool as much as I do.

Happy beading, Anne x.

Fabric Bangle created using the Arianna Blooms Collection from Heartfelt Creations

I used shrink plastic and the Arianna Blooms Stamp and Die Collection to create some lovely beads to embellish a bangle. I was delighted with the results – I hope that you like it.

AW Arianna Blooms Bangle 1

AW Arianna Blooms Bangle 2

AW Arianna Blooms Bangle 3

Heartfelt Creations Materials:

Other Materials used:

  • Translucent Polyshrink Plastic (2 X A4 sheets – approx. 21 X 29.5 cm)
  • Evolon Standard weight – non fray polyester mix fabric (Colourcraft)
  • Wire bangle frame approx. 4.5cm deep (Beads Direct)
  • Multi-Surface Acrylic Paints (Martha Stewart – Green Curry, Folk Art – Aqua)
  • Acrylic Textile Paint (Vallejo) – Black
  • Spectrum Noir Alcohol Markers (Crafters Companion) – blues (IB1, IB3 and BT5), pinks (CR3 and 6), yellow CT1, green (LG5)
  • StazOn Inkpad (Tsukineko) – Jet Black
  • Cut-N-Dry Foam (or sponges)
  • Fine needle, sewing thread and strong beading thread (Nymo D) to co-ordinate
  • Approx. 3mm beads (large enough to cover hole in flower centre) and size 11 seed beads (yellow)
  • Card – shim for die cutting
  • Hole punch
  • Fabric glues – Fabric to Fabric Matte Decoupage Medium (Martha Stewart), Stick & Spray for Fabric (Crafters Companion)
  • Pink velvet ribbon approx. 4cm wide (for backing)
  • Organza gift bag (optional)

How to make it:

  • Stamp the shrink plastic with StazOn ink. Colour the back with alcohol inks, 3 sets in blue and 3 sets in pink. Cut out with the dies. Tip: add a sheet of card over the plastic when die cutting. This gives the die something to ‘crunch’ into and ensures that the plastic cuts right through. Keep the card cuts for another project.

AW Arianna Blooms Bangle Stamping

  • Punch the flower centres to create a hole and heat shrink with a heat gun. Tip: They will curl up wildly at first, but keep going and they will flatten out when fully shrunk.
  • Colour a piece of Evolon with green paint and stamp with the floral branch and extra leaves using black acrylic paint. Tip: clean the stamps quickly with water to prevent acrylic paint drying in the stamp crevices. Cut out with the matching dies. Add a bit of shading with the green alcohol pen. Tip: using a card shim also helps when cutting out fabrics.
  • Colour another piece of Evolon with aqua paint, large enough to cover the bangle with a wide margin to wrap over the wire edges.

AW Arianna Blooms Bangle Components

  • Plan out the design area by creasing the fabric over the wire frame. Snip the floral branch and lay out pieces and extra leaves along the middle of the Evolon. Glue down using Stick & Stay spray glue. This is great for flat gluing and it dries quickly.
  • Layout and stack the flowers to work out their arrangement. I took a quick picture so I could remember where to sew them down. Wrap the wire frame and use spray glue to hold the fabric in place. Stitch all around the edges with sewing thread. Make the stitches neat on the front but don’t worry about the back (this will be covered).

AW Arianna Blooms Bangle Plan

  • Sew on the flowers with beading thread. Attach them down by sewing from the back, through the centre hole, adding a larger and small bead, and then going back down the larger bead and hole to the back again. For strength stitch through a couple of times and anchor the thread somewhere under the flower (i.e. where not seen on the front) before moving to the next flower.
  • Finally glue down the ribbon to finish the back of the bangle using the decoupage glue. Leave to dry overnight.
  • I used a couple of spare leaves and a flower to decorate an organza gift bag to match.

Tile Necklace Pendant Created for Chocolate Baroque

Here is another of my designs created for the recent TV shows on the Craft Channel for Chocolate Baroque – using the Lace Fragments stamp set.

AW Lace Frag necklace 2


How it was made:

  1. Stamped the tile with archival ink and coloured the flowers with watercolour pens. With a pokey tool I then scratched back the surface to create fine detailed highlights. The edges were inked with Distress Ink.
  2. The tile was then sealed with 3 layers of embossing powder applied with Versamark Ink. NOTE: The embossed layer did tend to crack and easily chips off the Stampbord. I think that I will try doming resin next time.
  3. A wire loop was made from the headpin, glued to the back and covered with felt. The pendant was then hung from a decorative toggle clasp loop and attached to the necklace.

My first experiment with Stampbord – me likey.

Anne x.