Flower Girl Figurine Garden Sculpture with Powertex

This is my first attempt at a figurine. She took me a long time to finally get finished, having started her over a year ago at my Level 1 Powertex Tutor Training! Now that she is finally done I love my Flower Girl – and I call her ‘Bestower of Beauty’.

She stands approx. 49cm high.

Materials used:

• Powertex Fabric Hardener: Bronze
• Wooden Base
• Grace Plaster Head – European Collection
• Recycled Textile Yarn (T shirt Yarn), mixed recycled crochet and cotton fabrics, Stockinette and lace strips
• Tin foil, masking tape, toilet roll inner card tube
• Powercotton
• Stone Art
• 3D Sand and Balls
• Silicone Moulds: Daisies and Leaves Mould Set, small daisy and fern (from my stash)
• Powercolor Pigments: Ultramarine, Green and Titanium White
• Colortricx Pigments: Bronze Gold
• The Secret Art Loft Pigments: Lipstick Fizz, Green Ginger, Blue Curacao, Interference Blue, Mojito Lime, Interference Lilac, Violet Valentine, Limoncello Gold
• Easy Varnish

How it was done:

The body was shaped over the wooden pole using the card inner tube stuffed and wrapped with foil and covered with masking tape. The plaster head was taped onto the top.

T shirt yarn was then wound tightly around the torso and down to the base of the pole. I made a bit of a decorative wrap over the torso to create the dress bodice. The whole thing was then given a coat of Bronze Powertex, working it well into the fabric.

 

Fabrics were then coated with Powertex and draped over the body to create the clothing. I used a knitted fabric (Stockinette) to create the illusion of arms by allowing the knit to curl around on itself to give dimension.

A small amount of Power Cotton was added to make small hair plaits draped over her shoulder, and fine lace added to make a headdress. Another piece of T shirt yarn was used to create a tie belt and helped to hold the skirt securely in place. The crochet skirt was draped down and over the base.

During the training course I started the dry brushing technique, mixing pigments into Easy Varnish, to add some colour and bring out the different textures. I used Bronze Colortricx to colour the face, shoulders and hair, plus to add colour around the base. Blue and green Powercolors were used (mixed with a little white) to dry brush and highlight clothing texture.

I was delighted with what I had achieved but came home with my figurine always intending to add more colour (you know how I LOVE colour) and floral embellishments to turn her into a gorgeous flower girl. Sadly she sat in the corner for around a year before I finally pulled her back onto my work bench!

I began by adding much more colour, intense in places, to colour her clothing using the new colours from The Secret Art Loft. I tried to keep most of this colour to the top layers of texture so as to keep depth in the fabric folds. I also added more colour to her face and lips, plus a little shading over the eye lids.

Flower and leaf embellishments were created using Art Stone mixed with Powertex to make a clay which was pressed into silicone moulds. When dry they were coloured with Secret Art Loft Pigments mixed with Easy Varnish and glued in place with Powertex. I also created a suggestion of arms and hands using Stone Art clay. The bad modelling was disguised by carefully placing the bouquet of flowers in her arms – ha ha.

The flowers were also applied onto her dress and down around the base. More texture was added to the base by sprinkling 3D Sand & Balls into wet Powertex.

I spiralled the flowers down and around the hem of her skirt.

Here you can see lots of textures in her outfit, and pretty coloured flowers in her hair.

Another view showing her back.

She looks beautiful standing in the garden. Although she is weather proof I would definitely have to add extra weight (e.g. a concrete base) or add a small garden spike to the base, as she is very vulnerable to toppling over in the wind. I am going to be keeping her indoors so she will be ok as she is.

 

However, she does look gorgeous alongside my unicorn! I might change my mind and adapt the base for outdoors – sure that I have a bit of broken paving slab somewhere – that would do the trick.

I hope that you like my ‘Bestower of Beauty’.

Bye for now, Anne x.

Tropical Art Doll Mixed Media with Powertex

I have never tried making an Art Doll before and I had so much fun making this. I wanted to make her really bright and cheerful with a tropical feel – the fabulous zingy cocktail colours from The Secret Art Loft Pigments, Inks, and Acrylics range were perfect.

Materials Used

• Art Doll MDF Kit A5
• Powertex Fabric Hardener: Transparent, Ivory and Bronze
• Easycoat Mat
• Easy Structure
• Easy Varnish
• 3D Sand
• The Secret Art Loft Acrylics: Orange Marmalade, Lemon Meringue, Raspberry Sorbet, Blueberry Pie
• The Secret Art Loft Inks: Egg Yolk, Tangerine and Metallic Golden
• The Secret Art Loft Pigments: Pink Flamingo, Limoncello Gold, Tequila Sunrise
• Seed beads (pink), leaf beads (cerise and orange) and flower drop bead (orange)
• Large metal filigree embellishment, small MDF teardrop (for bird beak), sequins (pink)
• Copper beading wires (pink colour coated) – 0.8mm and 1mm
• Round nosed and flat nosed jewellery pliers, wire cutters (for cutting and shaping wires)
• Small sections of plastic tube (drinking straws could be used)
• Faux silk flowers (wired stems), scrap cotton fabric strips, cotton fibres pulled from fabric (aqua), and thin pink ribbon
• Fine glitter (green)
• Art Quotes Stencil (The Secret Art Loft) and texture stencil (from my stash)

Extras used on the canvas: A4 canvas board, White Paper Decoration, 3D Sand and Balls, Assorted Lace Strips, dried beech nut outer shells and pine cone, small paper clay flowers, old key, gold glitter plus mix blue & green seed beads.

How it was done:

First all the MDF components were popped out of the sheet and coated with Ivory or Bronze Powertex Fabric Hardener and left to dry. The box frame was constructed and hanger section attached (the Powertex acts as a glue too). I also coated one of the ‘waste pieces’ which I thought would make a great bird shape to insert into the box frame.

A background panel for the box frame was cut from the FAB images on the packaging sheet and glued in place using Easycoat decoupage medium. Acrylic Inks were used to add a tint of colour.

Easy Structure paste was applied through a texture stencil onto the large background panel and to sections of the frame. The Art Quotes Stencil was used to apply text to the frame, and to apply random sections of text to the wings.

When dry, translucent inks were used to tint the text on the frame. The outer background panel was coloured with Lemon Meringue and Orange Marmalade acrylics, then brushed over with a little Metallic Golden Ink to highlight the texture, before sticking down the box frame.

The birdy shaped waste MDF piece was coloured with acrylic paints and layered into the box using Transparent Powertex to glue. The metallic embellishment was coated with Ivory Powertex and stuck down. The beak coated with Bronze Powertex, and eyes created with seed beads (dark centres created with Bronze Powertex, drizzled into the bead hole with a cocktail stick).

Transparent Powertex was used to coat the fabric flowers and massaged into the aqua cotton fibres. It was also drizzled around the sides to embed the seed beads. A little sand was mixed with Transparent Powertex to make a 3D glue paste to help hold the flower stems in place.

More acrylic paints were used to colour, and to brush over textured surfaces. Easy Varnish was used to stick down sequins, and to embed glitter which was brushed over sections for extra sparkle. Pearl Pigments in Varnish were also applied with dry brushing to add shimmer. I just love a bit of bling.

The headdress and face were dry brushed with Pink Flamingo and Limoncello Gold Pigments mixed with Easy Varnish. Sequins and beads were added for more texture and bling. 1mm wire was used to make a hanging loop.

The wings were coloured with Acrylic Paints and Gold Ink and … yes I had to add some glitter sparkle too.

Fabric strips and ribbon were treated with Transparent Powertex and used to wrap sections of plastic tubing to create beads for the upper arms and legs. The upper arms were attached with 1mm wire, through the holes in the box frame, in such a way that they were held in place (i.e. not dangling). This enabled the lower arm dangles to hang each side of the body.

The upper leg sections were attached so that they hung freely at the base giving movement. The lower arm and leg shapes were dry brushed with Varnish and Pearl Pigments, and beads stuck down with Transparent Powertex. These were hung from the upper arm and leg beads using wire loops so they dangled freely. Leaf and flower bead dangles were also added to the frame base and legs using 0.8mm wire (1mm was too thick to fit the bead holes).

The floral MDF shape was painted with acrylics, embellished with a metal filigree shapes and seed beads before gluing to the main background panel.

My finished Art Doll just makes me so happy. I love her bright happy colours. Plenty of bling and dangles too – cannot help but smile.

After using all the provided shapes to create her I looked at the pile of waste MDF bits left behind – they inspired me to create a canvas. I never waste anything – ha ha.

I coloured the background canvas with Bronze Powertex. Texture and the text was then applied using Easy Structure paste through the stencils. I just love this sentiment from the Art Quotes Stencil.

All the waste bits were coated with Ivory Powertex and applied down. I tried not to think about it too much – as I can spend hours procrastinating on positioning stuff! I just wanted to be free and ‘go for it’ and see what happened.

I then started coating some of the embellishments and building up the scene. Sand & Balls were added into wet Powertex and then coloured with inks and by dropping in some pigment powders.

I built up a sort of tree on the left hand side using Paper Decoration and lace, adding the Beech nuts and pine cone to embellish.

More acrylic colour was added, and beads added by embedding in we Transparent Powertex. Pearl Pigments were added to varnish for dry brushing over some of the textures. Finally I just couldn’t help myself but had to add some gold glitter mixed into the varnish. More yummy bling.

The finished piece is fairly crazy and abstract but I was pleased with it. I thought that it looked like a foreground beach with water, sand and trees, then rising up in the background were buildings positioned up a hillside. A kind of tropical paradise I thought. You may see something completely different. That is the joy of abstract art. I had to pop in the key to ‘unlock the mystery’. I hope that you like my mad idea for using up all the scrap MDF bits.

Bye for now, Anne x.

Mixed Media Floral Canvas

Hi all. Today I am sharing a floral mixed media canvas. I started it just over a year ago and it had been sitting as a ‘UFO’ ever since. I usually continue with a project until it is finished, but must admit that if it gets put away before finishing I find it very difficult to get it back on track. So pleased that I dug it back out and got inspired to complete it.

I started working on this at Powertex Headquarters as part of my Level 1 training. I have to say that it was a fabulous couple of days where Tracey took us through a whole host of fabulous techniques.

Black Powertex was used to coat a 12 X 12 primed and stretched canvas. Various fabrics, pieces of lace, kitchen paper and Paper Decoration (White) were coated with Powertex and laid onto the canvas. Small polycarbonate test tubes were covered in cling film (to protect) and incorporated into the canvas. The layers were left to dry before working on the next stages. I also coated the little wooden canvas stretchers to make am area for maybe adding text.

Various pigment colours were mixed and applied with Easy Varnish (Powercolor: Burgundy, Ultramarine, White; Colortricx: Rich Gold and Powerpearl). Initially I was unhappy with the results as everything appeared too dark. I am definitely a colour girl. After some thought I drizzled on some Green Powercolor in Varnish diluted with a little water to make more of a wash. Oooh – much happier.

This was the stage at which it was almost finished but I still wasn’t happy with it – hence it sat in the cupboard for a year. I really thought that it needed more decoration and building up with embellishments. I collected together some MDF cogs (already treated with Black Powertex and rubbed over with gold gilding wax), die cut birds, silk flowers and air dry clay flowers created with silicone moulds from my stash. I also had a stash of moulded flowers created with pearlescent acrylic modelling paste (I put some turquoise glitter in the moulds while making these – yay bling).

I added more colour to the canvas using the new Metallic Inks from the Secret Art Loft (Aqua and Golden).

The paper clay and card embellishments were coated with Black Powertex before sticking down. Where needed I used Easy Structure Paste tinted with Powertex to make a 3D glue for sticking down.

The sentiment (from Chocolate Baroque) was stamped onto card with Versamark (Onyx Black) and applied with Easycoat Matt Medium to glue and seal. The pine cones were treated with Bronze Powertex and rubbed over with gold gilding wax. Beginning to love it now.

I continued building layers of embellishments and also added some created with yellow tinted clay and treated with Transparent Powertex. I liked the pop of complimentary colour. More colour was also added to Varnish and dry brushed over the textural surfaces. I really love the new Secret Art Loft Pigments (Interference Lilac, Limoncello Gold, Violet Valentine), they are so vibrant over dark backgrounds.

The silk flowers were treated with Black Powertex and dry brushed with Violet Valentine and Interference Lilac Pigments. Clear varnish was applied over the yellow flowers and the acrylic embellishments to seal. A little Glossy Accents was applied over the sentiment to emphasise.

I was really chuffed with the final piece. I hope that you like it too.

The great thing about this canvas is that the faux flowers can be removed and replaced with real ones (the tubes are removable and can be filled with a little water). I was initially planning to hang the canvas at an angle but I rather like this orientation with the flowers going at 45 degrees.

Well that’s all for today. Back with more creations soon, Anne x.

Unicorn Blessings

Hi all, today I am sharing one of my projects created during the Powertex Garden Party in July. It was an amazing weekend and I went along with my ex’s lovely daughter Marie. Living far apart we rarely get the chance to be together – so it was extra special to have a whole weekend creating together.

Others also came along with friends or family but many came along on their own. Some were familiar with Powertex and some, like Marie, were completely new to the medium. Whether experienced or not, travelling with friends or alone, the Team at Powertex were wonderfully inviting and everyone soon felt relaxed and eager to get started. Tracey gave us all fabulous instructions to help us along the way. It was a wonderfully relaxed weekend and we made many new friends.

One of the projects was to create a Unicorn (or pony if preferred). We were taken through the process and instructed on the appropriate media to create a fully weatherproof piece that could be used as a garden ornament.

We were all give a Metal Base with attached MDF Unicorn Template which had already been wrapped with masking tape ready for working.

The first step was to paint the whole with a base layer of Bronze Powertex. Then layers of Powertex clay (created with Powertex and Stone Art) were built onto the surface and texturised using wooden print blocks and various tools. The Team had kindly mixed up the clay ready for us to use.

We then had a choice of floral silicone moulds to use to make pretty clay embellishments. I chose the lovely Daisy Moulds.

Next we treated Powercotton fibres with Powertex to create the mane and tail. Pigment colours were used to add colour. I chose to blend a mix of Ultramarine and Titanium White, plus Burgundy and Titanium White Powercolors, mixed with Easy Varnish and a little water to create a blended colour wash.

Next we dry brushed more colour over the surface to pick up and emphasise the texture. I used Colortricx in Silver.

When I got home I added a bit more colouring by dry brushing with Rich Gold Colortricx and Interference Violet (Secret Art Loft Pigment).

If you know me you will know that I cannot resist a bit of bling. I just had to try adding glitter to the varnish and painted this onto the tail and mane. I used a holographic silvery glitter designed to be added to household paint. In theory it should be weatherproof when embedded in the Easy Varnish (will see how it holds up after she is installed in the garden). Oooooh I love her.

Note: There is a Unicorn Dreams Project Pack available which contains everything needed to create your own magical Unicorn – includes metal base, MDF Unicorn, Powertex, Art Stone, Flower Mould, Pigments, Varnish and instructions.

I also decided to add a little more texture to the base. I added a rough layer of clay and pressed in a crackle textured rubber stamp. I also added 3D Sand and Balls. Finally I treated a few stiff hessian threads with Powertex and pushed them into the clay to create grassy fronds. Various colours were dry brushed over the surface to blend in the base colours with the rest of the project.

Here is Marie’s amazing Unicorn. Truly fantastic.

We all had so much fun and between us created an amazing array of very different takes on this theme. All wonderful.

Sending Unicorn Blessings, Anne x.

Medieval Chalice created with Powertex

I had fun creating a medieval chalice from an old glass that I have had for years. If you look closely it is actually made from a recycle wine bottle cut in half. The old bottle base is cut off and stuck to the bottle pouring top. The upturned bottle therefore making a new glass. I didn’t make it myself but it was a present from my ex’s daughter and has sentimental value. Now I have a super chalice to fill with cider and enjoy my drink along with good memories.

I wanted to keep the rim of the glass clean as I intend to use it as a drinking glass. I can clean the inside properly and around the rim etc. after use. The outer decoration will be ok with rinsing but obviously will be washed with more care.

For those that of not heard of Powertex – it is a non-toxic environmentally friendly fabric hardener that can be used to treat natural fibres (cotton, wool, silk, wood, MDF etc.) and create items that are weatherproof.

I first stamped some tissue paper (recycled packaging) with Versamark Ink and heat embossed the script image (Butterfly Poppy Collage set from Chocolate Baroque) with metallic gold embossing powder. I also collected some MDF embellishments ready for decorating. The Ankh is from the Pyramid and Ank Trio set, the hares and small cross from the Mini Hieroglyphs set.

As I wanted to keep the glass for functional use I didn’t want to completely cover it with texture and wanted to keep the stem area comfortable to hold. I first painted a band of black ‘all surfaces’ weatherproof glitter paint (Black Diamonds Crystal Glitter) onto the glass to add some interest and texture which will show through the background areas that I wanted to keep fairly smooth. The gold paint that you can see on the base was done some years ago with glass paints – I covered this up in later steps.

Next I tore areas of the script paper and applied them over the glass stem and bowl using Easycoat Mat Decoupage Medium. Tip: I used a water pen to draw around the pieces that I wanted, making it easy to tear shapes in a more controlled way. I sprayed with a little Green Bister just to blend in a little (dabbing off excess dribbles) where the white tissue paper was a little obvious.

Next was true happiness – a fist full of Powertex Clay – tee hee. I mixed some Stone Art with Bronze Powertex (approx. 50:50) with a small addition of Transparent Powertex, working it well into a non-sticky consistency.

Next I cut of square of T shirt fabric to cover the glass base and treated it with Bronze Powertex. I also treated a strip of T-shirt yarn and used it to secure the fabric over the stem base, then wrapped it up around the glass. Snips of textured lace were treated and added around the base plus a strip of treated lace was added to create a border around the top.

A rough slab of clay was rolled out and impressed using the text stamp. This was glued onto the glass front using Powertex. Stems and leaves were moulded by hand and ‘glued’ in place along with the MDF embellishments. Where needed a little Easy Structure Paste was used as a 3D ‘glue’ (painted over with Bronze Powertex to hide the white colour). A faux gem was stuck into the centre of the ankh.

The chalice was then left to dry for a couple of hours.

Next came the fun of dry brushing. I used Rich Gold Colortricx mixed with Easy Varnish first. It looked a little uninteresting in just the one colour so I also dry brushed with some of the new Aqua Metallic Acrylic Ink. Both of these dry very quickly so I just repeated layers of dry brushing until I was happy with the result.

I will leave the vessel for a couple of weeks to fully dry and cure before giving it a final all over coat of Easy Varnish to fully seal it. Et voila! My lovely new drinking vessel. I cannot wait to use it.

Textured Clay Pendant using stamps and Powertex

This was one of my first attempts at making jewellery using clay and Powertex. I used an air dry clay from my stash and rolled it out into a sheet of approx. 5-6mm deep. The headdress area of the Katya stamp (from Chocolate Baroque) was used to impress the pattern texture. The shape was then trimmed out with a craft knife and attachment holes made using a small ball tool.

After drying this clay was very porous with a slight powdery surface, and was quite fragile if rolled too thin. I added a coat of Bronze Powertex to give it a good base colour for gilding, and with the hope of hardening the clay. The porous clay soaked up the Powertex really well and considerably strengthened the clay. Pebeo Gilding Wax (several different shades of gold) was rubbed over the surface to give an aged metallic finish. I attached a recycled gold plated necklace chain using 0.8mm copper wire.

I have since experimented with a few different air dry clays (water based paper and craft clays) and their suitability for jewellery making. Some are far too brittle when rolled out to make thinner items, others too light (e.g. paper clays) to make pendants that hang nicely. It is worth experimenting with what you have in your stash. If using to make embellishments which will be glued down onto canvases or cards Powertex is ideal for sealing and making them more robust.

If you are making items for outdoors then Powertex Stone Art Clay is the best option. It has been designed to be weatherproof and won’t crack. Stone Art Clay is also brilliant for jewellery making. It is strong, water resistant, and it is a perfect weight; not too heavy but with enough weight for jewellery pieces to hang well.

Egyptian Canvas Duo created for Powertex UK

I so enjoyed helping out with samples for the Egyptian themed shows recently on Hochanda – and WOW the set looked amazing with so many wonderful creations from the team. I think that we all had a huge amount of fun. It really did look like an archaeological set.

I created this duo of canvases featuring Nefertiti and Tutankhamun to tell a little of their story. Although their likeness was well known to me I really had little idea of their history, so I did a little research. I really enjoyed finding out more about these characters and I had so much fun immersing myself into their mystical world when creating these canvases.

I hope that my creative journey gives you some inspiration for your own ideas. There is a full materials list at the end if you need links to any of the specific products used xxx.

The creative journey:

The canvases were first coated with a layer of Ivory Powertex, and the plaster busts with Bronze Powertex.

 

The textured embellishments were made with air dry clay and small clay cutters from my stash. The Hiero Heaven and Scarabella stamps were pressed into the rolled out clay to add texture. Additional texture added to some pieces using a texture mat, and I made the little snakes using a mould (both from my stash). Strips from corrugated card were used to create pillars. I laid out all my elements to get a rough idea of placement and to assess space left for adding text.

 

Note: I used an air dry modelling clay that I had in my stash. It is fairly strong when making chunky items but I did find it very brittle when rolled thin. I left it to fully dry overnight and coated it with Ivory Powertex. The Powertex did sink in well (as it remained porous) and considerably strengthened my embellishments. So I was happy to use them on my canvases. However, I would fully recommend using Stone Art Clay if you want hard wearing items, and certainly if you need them to be weather proof (it is designed for this).

Following my bit of historical research I decided on some text to add to my canvases. Nefertiti was the chief wife of the Egyptian Pharaoh Akhenaten who was the father of Tutankhaten (later named Tutankhamun). Originally Akhenaten was named Amenhotep IV but he changed his name when he banned the worship of the old Egyptian gods and instated Aten (Sun Disc – an aspect of the sun god Ra) as the one true god. I therefore depicted the Aten symbol (Sun Disk with rays in gold) on Nefertiti’s canvas.

I used gilding wax around the edges of my canvas and on the Sun Disc (Atan) and gold relief paste to create the Atan rays.

Nefertiti was also known as ‘the beautiful one has come’ (translation of her name) and ‘the lady of the two lands’ – I included this in the gilded text.

Nerfertiti may have ruled for a time as Neferneferuaten, and for a short while alongside Tutankhaten (later named Tutankhamun) but there is some debate on this. She disappeared not long after her husband’s death and it is unsure where her body lays. Although interestingly there is some evidence that she may be in a secret chamber behind the tomb of Tutankhamun. Still a mystery.

Tutankhamun became king when only a boy (‘boy king Tut’) and as mentioned above he was originally named Tutankhaten (‘the living image of Aten’). After the death of his father there was an uprising and the old gods were eventually reinstated. He reinstated Amun-Ra (fusion of the gods Amun ‘the hidden/invisible one’ and Ra the ‘sun god’) and changed his name to Tutankhamun (‘the living image of Amun’). There is a lot of debate around the identity of his mother but it is fairly certain that she would have been a close relation to Akhenaten (sister or cousin, maybe even Nefertiti?).

I hope that I am not boring everyone with history but I found it all fascinating (but also very confusing with all the name changes and the various gods worshipped at the time).

The sentiments were printed on a laser printer (copy paper) and foiled with gold sublimation foil using my laminator. I stamped over the background using Memories Ink and the Hiero Heaven stamp. I then scrunched up the paper and further aged with distress inks.

The background textured paper and sentiments were glued to the canvas using Easy Coat.

The card pillars were coated (back and front) with Black Powertex. Bister was used to add depth to my textured embellishments. I also mixed various Powercolor pigments into Ivory Powertex and rubbed over the top of the embellishments to give the effect of faded chalk paints.

Elements were glued in place using Powertex and a little Easy Structure for some of the more uneven textured pieces. A little Easy Structure paste was also applied with a palette knife for filling and more texture.

A little Ultramarine Powercolor was mixed with Ivory Powertex and painted into the crevices of the pillars. Gold Colortricx pigment mixed with Easy Varnish was dry brushed onto the surface ridges.

The busts were also coloured with gold varnish, applied fairly liberally for an opulent effect. Where I wanted areas of strong colour (blue, red, green) I applied a base of Ivory Powertex first and then painted over with coloured varnish. Black Powertex was painted into the eye area.

Materials:

• 2 stretched and primed canvases (30 X 22.5cm)
• Powertex Hardener (Ivory, Bronze and Black)
• Easy Varnish
• Easy Coat
• Easy Structure
• Bister (Black and Brown mix)
• Colortricx Pigment (Rich Gold)
• Powercolor Pigments (Ultramarine, Yellow Ochre, Burnt Sienna, Titanium White, Turquoise and Green)
• Hiero Heaven and Scarabella stamps (Rosehart Studio)
• Nefertiti and Tutankhamun flat backed plaster busts (or use the Nefertiti and Tutankhamun moulds to make your own)
• Recycled corrugated card and copy paper
• Laser printer, laminator and toner sublimation foil (gold)
• Air dry modelling clay (or Powertex Stone Art)
• Acrylic rolling pin and Teflon mat
• Snake mould and acrylic texture mat from my stash (weave texture)
• Clay cutters from my stash (rectangle, circle, triangle, square)
• Distress Inkpads (Scattered Straw, Vintage Photo)
• Memories dye based archival inkpad (waterproof when dry – Sand)
• Pebeo Cerne Relief Paste (Gold)
• Pebeo Gilding Wax (Empire Gold)