Tropical Art Doll Mixed Media with Powertex

I have never tried making an Art Doll before and I had so much fun making this. I wanted to make her really bright and cheerful with a tropical feel – the fabulous zingy cocktail colours from The Secret Art Loft Pigments, Inks, and Acrylics range were perfect.

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Materials Used

Extras used on the canvas: A4 canvas board, White Paper Decoration, 3D Sand and Balls, Assorted Lace Strips, dried beech nut outer shells and pine cone, small paper clay flowers, old key, gold glitter plus mix blue & green seed beads.

How it was done:

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First all the MDF components were popped out of the sheet and coated with Ivory or Bronze Powertex Fabric Hardener and left to dry. The box frame was constructed and hanger section attached (the Powertex acts as a glue too). I also coated one of the ‘waste pieces’ which I thought would make a great bird shape to insert into the box frame.

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A background panel for the box frame was cut from the FAB images on the packaging sheet and glued in place using Easycoat decoupage medium. Acrylic Inks were used to add a tint of colour.

Easy Structure paste was applied through a texture stencil onto the large background panel and to sections of the frame. The Art Quotes Stencil was used to apply text to the frame, and to apply random sections of text to the wings.

When dry, translucent inks were used to tint the text on the frame. The outer background panel was coloured with Lemon Meringue and Orange Marmalade acrylics, then brushed over with a little Metallic Golden Ink to highlight the texture, before sticking down the box frame.

The birdy shaped waste MDF piece was coloured with acrylic paints and layered into the box using Transparent Powertex to glue. The metallic embellishment was coated with Ivory Powertex and stuck down. The beak coated with Bronze Powertex, and eyes created with seed beads (dark centres created with Bronze Powertex, drizzled into the bead hole with a cocktail stick).

Transparent Powertex was used to coat the fabric flowers and massaged into the aqua cotton fibres. It was also drizzled around the sides to embed the seed beads. A little sand was mixed with Transparent Powertex to make a 3D glue paste to help hold the flower stems in place.

More acrylic paints were used to colour, and to brush over textured surfaces. Easy Varnish was used to stick down sequins, and to embed glitter which was brushed over sections for extra sparkle. Pearl Pigments in Varnish were also applied with dry brushing to add shimmer. I just love a bit of bling.

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The headdress and face were dry brushed with Pink Flamingo and Limoncello Gold Pigments mixed with Easy Varnish. Sequins and beads were added for more texture and bling. 1mm wire was used to make a hanging loop.

The wings were coloured with Acrylic Paints and Gold Ink and … yes I had to add some glitter sparkle too.

Fabric strips and ribbon were treated with Transparent Powertex and used to wrap sections of plastic tubing to create beads for the upper arms and legs. The upper arms were attached with 1mm wire, through the holes in the box frame, in such a way that they were held in place (i.e. not dangling). This enabled the lower arm dangles to hang each side of the body.

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The upper leg sections were attached so that they hung freely at the base giving movement. The lower arm and leg shapes were dry brushed with Varnish and Pearl Pigments, and beads stuck down with Transparent Powertex. These were hung from the upper arm and leg beads using wire loops so they dangled freely. Leaf and flower bead dangles were also added to the frame base and legs using 0.8mm wire (1mm was too thick to fit the bead holes).

The floral MDF shape was painted with acrylics, embellished with a metal filigree shapes and seed beads before gluing to the main background panel.

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My finished Art Doll just makes me so happy. I love her bright happy colours. Plenty of bling and dangles too – cannot help but smile.

After using all the provided shapes to create her I looked at the pile of waste MDF bits left behind – they inspired me to create a canvas. I never waste anything – ha ha.

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I coloured the background canvas with Bronze Powertex. Texture and the text was then applied using Easy Structure paste through the stencils. I just love this sentiment from the Art Quotes Stencil.

All the waste bits were coated with Ivory Powertex and applied down. I tried not to think about it too much – as I can spend hours procrastinating on positioning stuff! I just wanted to be free and ‘go for it’ and see what happened.

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I then started coating some of the embellishments and building up the scene. Sand & Balls were added into wet Powertex and then coloured with inks and by dropping in some pigment powders.

I built up a sort of tree on the left hand side using Paper Decoration and lace, adding the Beech nuts and pine cone to embellish.

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More acrylic colour was added, and beads added by embedding in we Transparent Powertex. Pearl Pigments were added to varnish for dry brushing over some of the textures. Finally I just couldn’t help myself but had to add some gold glitter mixed into the varnish. More yummy bling.

The finished piece is fairly crazy and abstract but I was pleased with it. I thought that it looked like a foreground beach with water, sand and trees, then rising up in the background were buildings positioned up a hillside. A kind of tropical paradise I thought. You may see something completely different. That is the joy of abstract art. I had to pop in the key to ‘unlock the mystery’. I hope that you like my mad idea for using up all the scrap MDF bits.

Bye for now, Anne x.

Steampunk Jewellery Plier Stands using Powertex

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I have been meaning to decorate my jewellery plier stands for ages and finally got them finished.

 

 

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I had a bit of a problem with these in that they started off as a plain varnished wood surface. I initially coated them with white Gesso with a view to painting them with acrylics. However, the Gesso did not bind well to the varnish layer – eek! All ideas were halted. These need to be fairly robust and a tonne of flaky chips after a short use was not what I wanted!

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I then discovered Powertex and yay, I would be able to rescue and decorate my plier stands after all. Coating the entire surface with rice papers and torn kitchen towels would create a tough protective skin over the surface and prevent the feared chipping off of the base layers.

 

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HOW IT WAS DONE

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I first collected together lots of embellishments; die cut cogs and pipework (Sizzix dies), MDF Keyplate (Powertex), metal clock hand and chains, old light bulbs and screws.

 

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I tore out images from Creative Rice Paper (Powertex). This particular sheet seems to be out of stock but there is a similar Victorian Steampunk Paper available. I also separated layers of kitchen paper and tore them into pieces to coat the surface. This would add texture and a protective layer.

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STAGE ONE

First I applied the torn decorative papers using Easy Coat Mat Medium. Ivory Powertex was then painted on to blend in the image edges.

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STAGE TWO

Next layers of kitchen paper were bonded all over the surface. Some were glued down with Ivory and some with Terracotta Powertex. Die cut card embellishments were also coated with Powertex and glued down.

Texture was added by applying Easy Structure Paste through a texture stencil.

I also had a try at the rust technique. I mixed some Rusty Powder into Ivory Powertex along with a few drops of white wine vinegar. This was painted and dribbled over the surface (extra powder sprinkled on top) and spritzed with water and vinegar before leaving overnight to develop. I spritzed at intervals, several times. I avoided the areas that will be in contact with my pliers.

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STAGE THREE

Next I brushed over and added colour using Acrylic Inks in Tangerine, Egg Yolk, Aqua and Metallic Gold.

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STAGE FOUR

I also applied a little gold Pebeo Gilding Wax on some areas. When fully dry and cured (I left them for 3 weeks) I coated the surface with Easy Varnish to fully seal and protect.

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I have included lots of images of how all the surfaces were built up.

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Texture and die cut cogs have been added.

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Rust and colour added.

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Side finished with stronger thick greyboard embellishments. Any large embellishments protruding from edges need to be strong (thinner card would be prone to warp and bend).

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I started with a larger clock image on the other side.

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Die cuts and texture added plus a metal clock hand for dimension.

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Finally finished with thicker embellishments and more dry brush work and gilding wax.

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Love this character.

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Texture and layers built up. Waiting for the rust to develop.

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Building up the layers of transparent colour makes so much difference.

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The second plier stand started off in the same way.

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At this stage you might feel like giving up. What a mess!

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Just keep going, adding layers of rust texture and colour.

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Just loving the gorgeous layers of texture and colour.

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I used several layers of the die cut pipework together to make them thicker and stronger on this side.

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Wooohooo – this is soooooo yummy (or is it just me – tee hee).

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Another end panel.

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I used an MDF keyplate (Powertex) to embellish this end.

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The final colouring makes such a difference.

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The final side had a couple of little storage wells. I won’t really be using these so a perfect place to embellish with larger items.

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I had fun adding recycled light bulbs, screws and bits of chain etc. I used structure paste and Powertex treated kitchen paper as a 3D glue to hold things in place.

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Initially I had added a thinner die cut cog to the end but it wasn’t really strong enough. Here I added another thick greyboard cog over the first. Much more practical. I also added a small MDF Butterfly.

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Here you can see more of the Steampunk treasures added. I also added some 3D Sand and Balls.

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Love this Steampunk birdie peering out.

Well I hope that all these pictures have not overwhelmed you. I wanted to show how all the stages were built up. It also shows the stages that look awful, perhaps where a beginner might give up! Remember, if it all goes wrong just keep applying colour, inks or coloured varnishes. If this fails and you are really not happy – just paint over the whole thing with a base colour of Powertex and start again.

Hugs, Anne xxx.

Floral Trinket Box created with Powertex

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I have had a wire box frame in my stash for ages. Originally it had a woven straw covering that fell apart so I removed it with the intention of recovering it. It ended up as another ‘UFO’ (unfinished object) for years. I have finally dug it out and created this Powertex treated fabric box embellished with hand made fabric flowers. Now it’s a fabulous trinket box for storing some of my crafty treasures.

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The bare wire frame is a strong construction – similar to the type of wire used to make coat hangers. It measures approx. 8 inches square across the top and 6 inches deep.

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I used some recycled cotton bed sheets and treated them with Black Powertex to cover the box and lid. I lined the outer and inner panels to completely cover the wire frame. I gathered some cotton trims for the next stage; some crochet lace and a piece of gathered Broderie Anglaise.

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I treated the crochet lace with Powertex and applied around the box base.

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The gathered lace was applied around the lid. I also dug out some greyboard lazer cut foliage shapes to embellish the top. These were coated and stuck down with Powertex. When dry I started dry brushing over the surface using Easy Varnish and Silver Colotricx. Extra colour was applied to the foliage to make it stand out from the dry brushed background.

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Here you can see the dry brushed lid next to the unpainted base. The dry brushing has emphasised the texture and added metallic highlights.

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Next I made some fabric roses from 25mm and 15mm strips cut from recycled bedding. These were created using Ribbon Ruching Flower Combs from Gina B-Silkworks. Basically strips are marked out using the Flower Comb templates, a running stitch is sewn along the marked lines and the stitching is pulled up to gather and shape into a rose. I prepared my strips and treated with Powertex before pulling up the stitching. The Powertex holds and glues the gathering in place. I left the flowers to dry before adding to the box top.

To create the roses I followed instructions detailed in Gina’s new Ribbonwork Flowers Book: Twist Roses from 25mm cotton strips using comb 3a (Rococo Comb Set) and 1930’s Roses from 15mm strips using comb 13a (Venezia Comb Set).

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I used one of my dies to cut a frame for the centre (Sizzix), applied to the top and finished in the same way as the greyboard foliage.

The flowers were dry brushed with Easy Varnish and Interference Lilac Pigment. Loving these new Pearl Pigment colours! Powertex was then used to glue down the roses to the centre. I added some ready made flower stamens around the group (purple), and some small ready made satin ribbon roses to the corners (Powertex treated and coloured).

Next I mixed some 3D Sand and Balls into Black Powertex and drizzled the mix around the flowers. A few untreated balls were also dropped into the wet Powertex. The untreated balls kept their original colour on the surface giving contrast with the black base. Once dry I coloured by brushing over the surface using Easy Varnish and Mojito Lime Pigment.

I also dry brushed a little of the Lilac pigment sparingly over the lace trims and used to colour some hand made air dry clay embellishments (created using a silicone mould from my stash) added to the box corners.

I used one of my large rubber stamps (lace design from Heartfelt Creations) to stamp some extra textural interest around the sides using Viola Metallic Acrylic Ink. Note: the fabric surface is already quite textured and not very flat so the stamping does not give a clear impression of the design but just adds a little more depth and interest to the surface.

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I hope that you like my new treasure box.

Hugs, Anne xxx.

Alice in Wonderland Clock created with Powertex

I have had so much fun joining the Alice in Wonderland Tea Party with Powertex UK. I love fantasy themes and wanted to make a working clock full of bright fun colours and sparkle. Hope that you like my Alice Clock. It certainly fills me with cheer and makes me smile.

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The theme on this weeks Simon Says Stamp Challenge (Mon) is ‘inspired by a song’ – so I have entered this one. I feel that I am always running late so the White Rabbit Song ‘I’m Late’ fits me perfectly and is appropriately the main sentiment on my clock.

I have also entered it into this months Mixed Up Mag Texture Challenge.

I had an old heart shaped MDF working clock that really needed a revamp. I combined it with the Pocket Watch Kit to create my crazy clock. The kit contains a stand, solid back and frame to make up a 3D pocket watch. Also included are lots of smaller embellishments for decoration – great kit.

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The stand was put together using Black Powertex to coat and glue everything together.

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The open watch frame was coated with Black Powertex.

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The back and outer rim of the solid pocket watch shape were also coated with Black Powertex. The central area was painted with Ivory Powertex ready for adding images. When dry, pocket watch images from a decorative Rice Paper were applied using Easy Coat Mat decoupage medium. The sheet I used does not appear to be in stock at the moment but the Victorian Steampunk sheet is similar. The surface was spritzed with a little Green Bister to knock back the harshness of the Ivory colour.

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I coated my recycled MDF clock with Ivory Powertex on the front, Black on the back. Again Easy Coat was used to add Rice Paper images. You can still see the original painted numbers on my old clock face.

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A layer of Crackle Accents (Ranger) was added onto the clock face images to give an aged crackle effect. When dry, more Green Bister was added to emphasise the crackle (the wet colour seeps into the cracks). Texture was then applied using Easy Structure Paste through the Wonderland Stencil. I dabbed over with a little black Powertex to cover some of the bright white colour. Easy Structure Paste was also used as a strong 3D glue to attach the watch to the stand.

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Rice paper images were also applied to my recycled heart clock. Layers of kitchen paper were applied around the decoupaged images using ivory Powertex to give added texture. I also added Easy Structure Paste through the stencil to add hearts.

Several of the new Acrylic Inks and Paints were used to add colour to my project (Acrylic Inks in Egg Yolk, Tangerine, Golden Metallic, Viola Metallic and Aqua Metallic; Acrylic Paints in Raspberry Sorbet, Orange Marmalade and Key Lime). The inks are gorgeous fluid transparent colours ideal for painting over other colours or patterned papers. The medium bodied acrylic colours are semi-translucent and are great for heavier colour and layering. I LOVE them.

A piece of tree bark was treated with Transparent Powertex. I have had this piece in my stash for years (so it was fully dried out) just waiting for a suitable project to use it on.

The pocket watch frame was glued in place with Transparent Powertex ensuring that it was well centred. Easy Structure paste was used to glue 3D elements onto the base stand. Bronze Powertex was used to cover and colour the Easy Structure Paste where needed. At this stage I checked that the clock hands would be able to move freely around the clock face (once it’s all glued and dry it’s well and truly glued!).

The small MDF heart (from my recycled clock) was treated with black Powertex. I added some 3D Sand and Balls into the wet Powertex for texture. When dry I coloured with Easy Varnish and Interference Lilac Pearl Pigment. Have you seen these new Pearl Pigment colours? WOWeeee! I rubbed over a little Pebeo Gilding Wax (gold) to cover the edges and highlight the texture more.

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Gilding Wax was also rubbed over the Pocket Watch tops and tree bark. A thick greyboard frame and rectangle was coated in Black Powertex to create a table. A piece of lace and scrap of knitted cotton was also coated in Black Powertex to fill in the base of the ‘tree’ and to create the table cloth. I started placing other MDF elements from the Pocket Watch Kit (but not glued down yet).

More colour was added with the Acrylic Paints. The metal clock hands were coated with Jade Patina (Ranger).

….. and yes my craft stash is encroaching inwards – tee hee.

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I continued to build the scene, coating elements with Black or Ivory Powertex then colouring with Acrylic Paints before gluing down with Powertex.

The MDF sentiments and Flamingoes were from the Alice Collection; the butterflies, dragonfly, numbers and spirals from the Pocket Watch Kit. The sentiment plaque was a greyboard piece from my stash. I added some 3D Sand and Balls to the Flamingo wings for extra texture.

A layer of Glossy Accents (Ranger) was applied over some of the painted elements and fine crystal glitter dropped into the wet surface for added bling and sparkle. The piece was then left overnight, propping it in a horizontal position.

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I also added an MDF Heart Flower, Lion, cat and small bird from Mini Hieroglyphs, MDF flowers and leaves plus greyboard flowers (from my stash). The little signposts were made from recycled wooden canvas stretchers and black alcohol marker used to write.

Then I had fun with my dies. Each element was built up using 4 layers of either black or Kraft card and layers glued together with Powertex to make them thick and robust. Coffee Archival Ink (Ranger) was used to stamp the chairs (Sizzix). The cake stand, cupcakes, small cup & saucer, spoon & fork and teapot cut (Intricutz); the larger cup & saucer and top hat (Sheena Douglass); the chandelier (Crafters Companion) were built and glued in place with Easy Structure paste where needed to give added depth. More Glossy Accents and glitter were added over some of the elements.

Finally a little dry brushed colour was added over some of the textured surfaces using Easy Varnish and the Pigment colours (Iridescent Lilac, Violet Valentine, Rich Gold).

I will leave it for around three weeks for everything to fully cure, then finish with Easy Varnish to fully seal everything and give added protection to painted surfaces.

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I’ve popped in some close ups for you. Ooooh sparkly flamingos.

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I am always running late so this sentiment is perfect for my clock – tee hee.

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You can see that crackle texture on the watch faces here.

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Lots of layering and sparkle.

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I absolutely love my new clock. I hope that you love it too, Anne xxx.

Sunflower Project Tray created with Powertex

Today I am sharing a decorated recycled Balsa wood cheese tray (19 X 25cm) left over from Christmas. I needed a small project tray to collect together all my embroidery and sewing thread spools when working on one of my textile stitched paintings. I kept the 3D texture to a minimum as I didn’t want my fine threads catching and pulling on anything.

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The theme for this Weeks Simon Says Stamp Blog Challenge (Wed) is ‘Anything Goes’ so I have entered this one.

I chose one of the lovely Floral Rice Papers and the fab Duo Arty Quotes Mini Stencil from Powertex to decorate. I wanted to create something that would give me some ‘arty’ inspiration. I had a few grey board embellishments in my stash (from ……) so added these too for a bit of interest.

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I first used a water pen to dampen around the images enabling them to be torn and separated to form soft edged pieces that will blend into the background once decoupaged.

I coated the whole tray with Ivory Powertex and dried using a hair dryer. This provided a light background for the decoupage elements. Coating the tray with Powertex hardened up the soft Balsa wood and sealed it making it easier to keep clean too. I also coated the grey board elements with Ivory Powertex.

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Decorative papers were then applied using Easy Coat Mat. Easy Structure Paste was then applied through the stencil using a recycled bank card. I also added a little more texture using a grid stencil from my stash.

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The embellishments were stuck down with more Powertex and a little Easy Structure Paste where needed (i.e. onto textured areas).

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In the background you can see a sneak peek of my next project in progress. I like to work on several things at once so that I don’t waste time waiting for layers to dry.

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Next I used a white opaque pen (acrylic paint pen) to draw extra highlights onto the main sunflower image. Then I used the new transparent acrylic inks to brush over and add a bit of colour. These are fabulous as being transparent they don’t obliterate the layers beneath. I chose the Golden Metallic and Aqua Metallic Inks to blend in with the main colour theme of the decoupaged images and to add a little sheen. I emphasized the lettering using a brown fine tipped pen (suitable for going onto acrylic).

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Where needed I also rubbed over a little more Ivory Powertex using my finger to blend in the colouring where I thought it was a bit heavy.

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I also rubbed on a little gold gilding wax from my stash (Pebeo).

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Finally I added a little clear PVA based glitter glue to bring a little sparkle. I just couldn’t help myself. Once dry I brushed over the whole tray with Easy Varnish.

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Now I have a lovely inspirational project tray. Hope that you like it too.

Hugs all and happy creating, Anne xxx

Medieval Chalice created with Powertex

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I had fun creating a medieval chalice from an old glass that I have had for years. If you look closely it is actually made from a recycle wine bottle cut in half. The old bottle base is cut off and stuck to the bottle pouring top. The upturned bottle therefore making a new glass. I didn’t make it myself but it was a present from my ex’s daughter and has sentimental value. Now I have a super chalice to fill with cider and enjoy my drink along with good memories.

I wanted to keep the rim of the glass clean as I intend to use it as a drinking glass. I can clean the inside properly and around the rim etc. after use. The outer decoration will be ok with rinsing but obviously will be washed with more care.

For those that of not heard of Powertex – it is a non-toxic environmentally friendly fabric hardener that can be used to treat natural fibres (cotton, wool, silk, wood, MDF etc.) and create items that are weatherproof.

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I first stamped some tissue paper (recycled packaging) with Versamark Ink and heat embossed the script image (Butterfly Poppy Collage set from Chocolate Baroque) with metallic gold embossing powder. I also collected some MDF embellishments ready for decorating. The Ankh is from the Pyramid and Ank Trio set, the hares and small cross from the Mini Hieroglyphs set.

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As I wanted to keep the glass for functional use I didn’t want to completely cover it with texture and wanted to keep the stem area comfortable to hold. I first painted a band of black ‘all surfaces’ weatherproof glitter paint (Black Diamonds Crystal Glitter) onto the glass to add some interest and texture which will show through the background areas that I wanted to keep fairly smooth. The gold paint that you can see on the base was done some years ago with glass paints – I covered this up in later steps.

Next I tore areas of the script paper and applied them over the glass stem and bowl using Easycoat Mat Decoupage Medium. Tip: I used a water pen to draw around the pieces that I wanted, making it easy to tear shapes in a more controlled way. I sprayed with a little Green Bister just to blend in a little (dabbing off excess dribbles) where the white tissue paper was a little obvious.

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Next was true happiness – a fist full of Powertex Clay – tee hee. I mixed some Stone Art with Bronze Powertex (approx. 50:50) with a small addition of Transparent Powertex, working it well into a non-sticky consistency.

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Next I cut of square of T shirt fabric to cover the glass base and treated it with Bronze Powertex. I also treated a strip of T-shirt yarn and used it to secure the fabric over the stem base, then wrapped it up around the glass. Snips of textured lace were treated and added around the base plus a strip of treated lace was added to create a border around the top.

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A rough slab of clay was rolled out and impressed using the text stamp. This was glued onto the glass front using Powertex. Stems and leaves were moulded by hand and ‘glued’ in place along with the MDF embellishments. Where needed a little Easy Structure Paste was used as a 3D ‘glue’ (painted over with Bronze Powertex to hide the white colour). A faux gem was stuck into the centre of the ankh.

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The chalice was then left to dry for a couple of hours.

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Next came the fun of dry brushing. I used Rich Gold Colortricx mixed with Easy Varnish first. It looked a little uninteresting in just the one colour so I also dry brushed with some of the new Aqua Metallic Acrylic Ink. Both of these dry very quickly so I just repeated layers of dry brushing until I was happy with the result.

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I will leave the vessel for a couple of weeks to fully dry and cure before giving it a final all over coat of Easy Varnish to fully seal it. Et voila! My lovely new drinking vessel. I cannot wait to use it.

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Steampunk Travellers Mixed Media Canvas with Powertex

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Oh my goodness – I really enjoyed myself with this Steampunk canvas – I just love to get myself lost a bit of fantasy. I used lots of Chocolate Baroque stamps from my stash (Punky Expressions, Words of Inspiration, Steampunkery, Steampunk Travel, Punky Flowers, Steampunk SeaWorld) and two of the new stamps from Mark Gould (Sailor Jim and The Aviator).

As the theme on the Simon Says Stamp Blog Challenge (Wed) this week is ‘Layer It Up’ – I have entered this one.

I first cut 2 pieces of left over mount board and trimmed them to approx. 25 X 31cm and 31 X 41 cm. The back board was coated front and back with Bronze Powertex. The second board was coated with Ivory Powertex.

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I used a page from an old atlas and glued it to the board using Easy Coat Mat decoupage medium. Note: There are some lovely map themed Rice Papers on the Powertex website.

I then applied some Easy Structure paste through stencils from my stash to create some wave and cloud textures.

Next I applied elements from decorative rice papers (sea themed and pocket watches) using Easy Coat medium. It looks like the pocket watches sheet I used is out of stock but there is a similar Victorian Steampunk sheet available. Tip: draw around the parts of the image that you desire using a water brush or pen, then gently pull away the image from the sheet. This avoids harsh cut edges and the images will blend better into the background.

I also applied a little of the new Golden Metallic Acrylic Ink through my stencils, and onto areas of the pocket watches.

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I next stamped my images using Versafine Ink (Onyx Black) onto recycled tissue paper (packaging). I also stamped some onto white card using Versafine (Vintage Sepia), cut them into little sentiment strips and edged them with a dark brown alcohol marker. The images and text sentiments were applied to the canvas using Easy Coat decoupage medium.

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I added a little colour over the decoupaged stamp images using Golden Metallic and Aqua Acrylic Inks. These inks have a lovely translucency so do not obliterate the image beneath. You don’t need to be super careful with colouring either.

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My characters were stamped onto smooth stamping card using Versafine (Vintage Sepia), cut out and coloured with pencils. I applied Ivory Powertex to the backs to seal them, curving and doming them slightly. I coated the fronts with a layer of Powerwax to protect them. I chose this option as I was concerned that a slow drying wet medium might smudge some of the pencil colouring.

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I used one of the MDF Heart Flowers (approx. 12.5cm across) to make an embellishment for the top. The moulded flower was from my stash. It had been made with Stone Art and Ivory Powertex mixed into a clay and used with one of my moulds. When dry it was painted with Easy Varnish tinted with Burgundy Powercolor, then dry brushed with more varnish tinted with Silver, Rich Gold and Copper Colortricx. The MDF flower was coated with Bronze Powertex and the moulded flower glued to the centre with a little Easy Structure paste. Easy Structure paste and Powertex were used to glue the embellishment to the top of the canvas.

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Black cotton netting was treated with Bronze Powertex and applied to the canvas base and diagonally across the middle. The characters were then positioned and glued down with Easy Structure Paste (i.e. using it as a 3D glue). Care was taken not to smudge the images with paste or Powertex. Any slight mishaps were wiped away quickly with a damp sponge.

I gathered together lots of Steampunk and nautical embellishments from my stash including die cut ship wheels, anchors, gears, swirls etc. I also had a stash of shells created using paper clay and moulds (already coloured with ink sprays). The embellishments were all coated with Powertex (Transparent or Bronze) and glued in place, using Easy Structure paste where needed. I also dropped some 3D Sand and Balls into wet Powertex for added texture.

In addition I used some recycled gear cogs from the inside my finished double sided tape rollers. These are plastic so I used copper gilding wax (Pebeo) to colour the top surface (Powertex doesn’t stick to plastic) and embedded them well with Easy Structure paste and Powertex coated card pieces etc.

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Finally I dry brushed Easy Varnish tinted with Bronze Gold Colortricx lightly over the embellishments to enhance them.

The canvas could be mounted into a 3D box frame to fully protect it from dust etc. It could also be hung directly – perhaps holes cut in the top edge and a string would look quite nautical? If hanging without framing I would advise that everything be fully sealed with Easy Varnish (the characters with more layers of Powerwax); particularly the areas coated with transparent Powertex (coloured Powertex is already weather resistant). It could then be cleaned with a damp cloth (or even rinsed under the tap).

I hope that you like my fantasy creation. I have included a few more pics for more close up views, Anne x.

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