Tropical Art Doll Mixed Media with Powertex

I have never tried making an Art Doll before and I had so much fun making this. I wanted to make her really bright and cheerful with a tropical feel – the fabulous zingy cocktail colours from The Secret Art Loft Pigments, Inks, and Acrylics range were perfect.

Materials Used

• Art Doll MDF Kit A5
• Powertex Fabric Hardener: Transparent, Ivory and Bronze
• Easycoat Mat
• Easy Structure
• Easy Varnish
• 3D Sand
• The Secret Art Loft Acrylics: Orange Marmalade, Lemon Meringue, Raspberry Sorbet, Blueberry Pie
• The Secret Art Loft Inks: Egg Yolk, Tangerine and Metallic Golden
• The Secret Art Loft Pigments: Pink Flamingo, Limoncello Gold, Tequila Sunrise
• Seed beads (pink), leaf beads (cerise and orange) and flower drop bead (orange)
• Large metal filigree embellishment, small MDF teardrop (for bird beak), sequins (pink)
• Copper beading wires (pink colour coated) – 0.8mm and 1mm
• Round nosed and flat nosed jewellery pliers, wire cutters (for cutting and shaping wires)
• Small sections of plastic tube (drinking straws could be used)
• Faux silk flowers (wired stems), scrap cotton fabric strips, cotton fibres pulled from fabric (aqua), and thin pink ribbon
• Fine glitter (green)
• Art Quotes Stencil (The Secret Art Loft) and texture stencil (from my stash)

Extras used on the canvas: A4 canvas board, White Paper Decoration, 3D Sand and Balls, Assorted Lace Strips, dried beech nut outer shells and pine cone, small paper clay flowers, old key, gold glitter plus mix blue & green seed beads.

How it was done:

First all the MDF components were popped out of the sheet and coated with Ivory or Bronze Powertex Fabric Hardener and left to dry. The box frame was constructed and hanger section attached (the Powertex acts as a glue too). I also coated one of the ‘waste pieces’ which I thought would make a great bird shape to insert into the box frame.

A background panel for the box frame was cut from the FAB images on the packaging sheet and glued in place using Easycoat decoupage medium. Acrylic Inks were used to add a tint of colour.

Easy Structure paste was applied through a texture stencil onto the large background panel and to sections of the frame. The Art Quotes Stencil was used to apply text to the frame, and to apply random sections of text to the wings.

When dry, translucent inks were used to tint the text on the frame. The outer background panel was coloured with Lemon Meringue and Orange Marmalade acrylics, then brushed over with a little Metallic Golden Ink to highlight the texture, before sticking down the box frame.

The birdy shaped waste MDF piece was coloured with acrylic paints and layered into the box using Transparent Powertex to glue. The metallic embellishment was coated with Ivory Powertex and stuck down. The beak coated with Bronze Powertex, and eyes created with seed beads (dark centres created with Bronze Powertex, drizzled into the bead hole with a cocktail stick).

Transparent Powertex was used to coat the fabric flowers and massaged into the aqua cotton fibres. It was also drizzled around the sides to embed the seed beads. A little sand was mixed with Transparent Powertex to make a 3D glue paste to help hold the flower stems in place.

More acrylic paints were used to colour, and to brush over textured surfaces. Easy Varnish was used to stick down sequins, and to embed glitter which was brushed over sections for extra sparkle. Pearl Pigments in Varnish were also applied with dry brushing to add shimmer. I just love a bit of bling.

The headdress and face were dry brushed with Pink Flamingo and Limoncello Gold Pigments mixed with Easy Varnish. Sequins and beads were added for more texture and bling. 1mm wire was used to make a hanging loop.

The wings were coloured with Acrylic Paints and Gold Ink and … yes I had to add some glitter sparkle too.

Fabric strips and ribbon were treated with Transparent Powertex and used to wrap sections of plastic tubing to create beads for the upper arms and legs. The upper arms were attached with 1mm wire, through the holes in the box frame, in such a way that they were held in place (i.e. not dangling). This enabled the lower arm dangles to hang each side of the body.

The upper leg sections were attached so that they hung freely at the base giving movement. The lower arm and leg shapes were dry brushed with Varnish and Pearl Pigments, and beads stuck down with Transparent Powertex. These were hung from the upper arm and leg beads using wire loops so they dangled freely. Leaf and flower bead dangles were also added to the frame base and legs using 0.8mm wire (1mm was too thick to fit the bead holes).

The floral MDF shape was painted with acrylics, embellished with a metal filigree shapes and seed beads before gluing to the main background panel.

My finished Art Doll just makes me so happy. I love her bright happy colours. Plenty of bling and dangles too – cannot help but smile.

After using all the provided shapes to create her I looked at the pile of waste MDF bits left behind – they inspired me to create a canvas. I never waste anything – ha ha.

I coloured the background canvas with Bronze Powertex. Texture and the text was then applied using Easy Structure paste through the stencils. I just love this sentiment from the Art Quotes Stencil.

All the waste bits were coated with Ivory Powertex and applied down. I tried not to think about it too much – as I can spend hours procrastinating on positioning stuff! I just wanted to be free and ‘go for it’ and see what happened.

I then started coating some of the embellishments and building up the scene. Sand & Balls were added into wet Powertex and then coloured with inks and by dropping in some pigment powders.

I built up a sort of tree on the left hand side using Paper Decoration and lace, adding the Beech nuts and pine cone to embellish.

More acrylic colour was added, and beads added by embedding in we Transparent Powertex. Pearl Pigments were added to varnish for dry brushing over some of the textures. Finally I just couldn’t help myself but had to add some gold glitter mixed into the varnish. More yummy bling.

The finished piece is fairly crazy and abstract but I was pleased with it. I thought that it looked like a foreground beach with water, sand and trees, then rising up in the background were buildings positioned up a hillside. A kind of tropical paradise I thought. You may see something completely different. That is the joy of abstract art. I had to pop in the key to ‘unlock the mystery’. I hope that you like my mad idea for using up all the scrap MDF bits.

Bye for now, Anne x.

Nothing to Fear Mixed Media Canvas

Hi all, today I am sharing one of my projects created during the Powertex Garden Party in July. It was an amazing weekend and I went along with my ex’s lovely daughter Marie. Living far apart we rarely get the chance to be together – so it was extra special to have a whole weekend crafting together.

Others also came along with friends or family but many came along on their own. Some were familiar with Powertex and some, like Marie, were completely new to the medium. Whether experienced or not, travelling with friends or alone, the Team at Powertex were wonderfully inviting and everyone soon felt relaxed and eager to get started. Tracey gave us all fabulous instructions to help us along the way. It was a wonderfully relaxed weekend and we made many new friends.

The huge display of different projects from the Powertex Team on display around the gardens was simply amazing.

The theme for this weeks Simon Says Stamp Wednesday Challenge is ‘anything but a card’ – so I have entered this one.

I completed most of this canvas project during the weekend but you know me – I just had to add a more embellishments and bling when I got home. We had great fun creating layers of texture and colour.

We first painted our 12 X 12 inch canvas with Black Powertex onto which we then built additional layers. We applied background texture layers with Powertex treated recycled corrugate card and mesh canvas. We then created a ‘dirty mix’ using Black Powertex, Stone Art, 3D Sand and Balls and applied to the canvas, adding more texture by pushing in and stamping with mark making tools etc. (sticks, bottle tops etc.).

The Team then provided us with a ready made mix of Easy 3D Flex and Ivory Powertex. This medium provides a gorgeous crackle texture on drying.

We were also provided with a small MDF frame and choice of small plaster embellishment. I chose to use a skull. We were helped and advised along the way on the easiest layout of different textures and elements for a successful arrangement.

I added more texture to my frame with Easy 3D Flex and small Sand and Balls. You can see the marvellous cracks that develop – yummy. We then chose from a range of Secret Art Loft Acrylic Ink and Paints for colouring. I chose a mix of turquoise, pinks and yellows (Acrylic Paints – Raspberry Sorbet, Lemon Meringue, Blueberry Pie; Acrylic Inks – Raspberry, Metallic Aqua and Aqua). These paints and inks are gorgeous and allow you to build up lots of layers of transparent colour. I used Colortricx Silver in Easy Varnish for some of the dry brushing to enhance textures.

On getting home I added more embellishments to my canvas – die cut birds, clock, circles and rings (cut from recycled thick card). I also used the Daisies Silicone Mould to make flowers and leaves from Powertex Clay (made with Ivory Powertex and Stone Art). The embellishments were painted with Black Powertex before sticking down. I also used some Easy Structure Paste tinted with a bit of Black Powertex as a 3D ‘glue’ to stick down elements on uneven highly textured areas.

I used some stamps from my stash to create the sentiments (using Versamark Onyx Black Ink) and used Easycoat Matt to stick them down and seal.

I finished with more layers of pigment and varnish, applying with a dry brush to highlight textures. I adore the new range of pigments from the Secret Art Loft (colours used – Interference Blue, Blue Curacao, Interference Violet and Green Ginger). I finally added some gold and silver gilding waxes applied with a finger (I just cannot help myself from adding more bling).

Here is Marie’s amazing canvas. I love the colours, textures and hidden surprise elements.

We all had so much fun and between us created an amazing array of individual and very different takes on this theme.

Bye for now, Anne x.

Dream, Wish, Create a Beautiful World

This lovely image of a young girl (Victorian Photographs Rice Paper) really called to me and inspired me to make this piece. To me she portrayed a young girl that had experienced in her life far more than any child should. Alone she would dream and wish for a better world. Her creativity would enable her to escape from the trauma and open the door to a world full of beauty.

I know that many can testify that using imagination and creativity really does take them to a happy place and can increase wellbeing. Sorry, maybe a bit heavy? I hope that you like the ‘beautiful world’ that I have created.

I first collected together lots of elements from my stash; a small wooden pallet (15cm square from Art-C), a thick greyboard panel with frame (13.5cm X 5cm, 6cm X 2cm centre, from Tando Creative) plus smaller panel, silicone moulds to create flowers and fern, MDF Heart Keyplate, Penny Washer and Heart Flower (Powertex), scraps cotton fabric and lace.

I created the flowers and ferns using silicone moulds and Stone Art Clay. Stone Art was mixed approx. 50:50 with Ivory Powertex plus a little Transparent Powertex. Ivory Poweretex was also used to coat the inner greyboard pieces.

The wooden pallet and remaining greyboard and MDF pieces were coated with a leftovers mix of Powertex (mainly Lead and Ivory). I keep any leftover Powertex in recycled little takeaway sauce pots (plastic with fully airtight lids). My mix gave a lovely warm grey colour.

I spread Easy Structure Paste across the centre of the pallet and then spritzed with Green Bister.

The rice paper images were applied to the Ivory Powertex coated panels using Easy Coat Mat Medium. Note: the sentiment is actually snipped from the ‘Creative Paper’ branding down the side of the paper. I also used some small leftover snips from a floral paper.

Cotton fabric was treated with Ivory Powertex and draped diagonally across the middle. More texture was added using 3D Sand & Balls.

The flowers, ferns, Heart Flower and Penny Washer were coloured with Acrylic Inks; Palm Leaf, Viola, Viola Metallic and Golden Metallic. A little gold colour was also applied to the edges of the keyplate and image panels, plus drizzled onto the texture paste. The fabric was spritzed with a little Green Bister.

A strip of thin fabric braid was treated with Powertex, coiled tightly into a spiral, and added to the MDF flower centre (coloured with gold ink when dry). A sheet of Angelina fibre was created by ironing heat fusible sparkly fibres between sheets of baking parchment. I collected together a few snips of lace plus some Powercotton.

Next I put it all together. I hung a small metal ‘wish’ charm from the base.

I used Easy Structure Paste through the Duo Arty Quotes Mini Stencil to add the ‘Dream’ sentiment.

More Acrylic Ink colour was dry brushed over textured areas.

I love the new Acrylic Inks. The fluid formula enables you to drizzle areas with intense colour too.

I was really pleased with my ‘Dream, Create, Wish’ mini artwork. I think that I might just have to keep this one for me.

Off to get busy as I have so many ideas. I will share more soon. Hugs all xxx.

Steampunk Jewellery Plier Stands using Powertex

I have been meaning to decorate my jewellery plier stands for ages and finally got them finished.

 

 

I had a bit of a problem with these in that they started off as a plain varnished wood surface. I initially coated them with white Gesso with a view to painting them with acrylics. However, the Gesso did not bind well to the varnish layer – eek! All ideas were halted. These need to be fairly robust and a tonne of flaky chips after a short use was not what I wanted!

I then discovered Powertex and yay, I would be able to rescue and decorate my plier stands after all. Coating the entire surface with rice papers and torn kitchen towels would create a tough protective skin over the surface and prevent the feared chipping off of the base layers.

 

HOW IT WAS DONE

I first collected together lots of embellishments; die cut cogs and pipework (Sizzix dies), MDF Keyplate (Powertex), metal clock hand and chains, old light bulbs and screws.

 

I tore out images from Creative Rice Paper (Powertex). This particular sheet seems to be out of stock but there is a similar Victorian Steampunk Paper available. I also separated layers of kitchen paper and tore them into pieces to coat the surface. This would add texture and a protective layer.

STAGE ONE

First I applied the torn decorative papers using Easy Coat Mat Medium. Ivory Powertex was then painted on to blend in the image edges.

STAGE TWO

Next layers of kitchen paper were bonded all over the surface. Some were glued down with Ivory and some with Terracotta Powertex. Die cut card embellishments were also coated with Powertex and glued down.

Texture was added by applying Easy Structure Paste through a texture stencil.

I also had a try at the rust technique. I mixed some Rusty Powder into Ivory Powertex along with a few drops of white wine vinegar. This was painted and dribbled over the surface (extra powder sprinkled on top) and spritzed with water and vinegar before leaving overnight to develop. I spritzed at intervals, several times. I avoided the areas that will be in contact with my pliers.

STAGE THREE

Next I brushed over and added colour using Acrylic Inks in Tangerine, Egg Yolk, Aqua and Metallic Gold.

STAGE FOUR

I also applied a little gold Pebeo Gilding Wax on some areas. When fully dry and cured (I left them for 3 weeks) I coated the surface with Easy Varnish to fully seal and protect.

I have included lots of images of how all the surfaces were built up.

Texture and die cut cogs have been added.

Rust and colour added.

Side finished with stronger thick greyboard embellishments. Any large embellishments protruding from edges need to be strong (thinner card would be prone to warp and bend).

I started with a larger clock image on the other side.

Die cuts and texture added plus a metal clock hand for dimension.

Finally finished with thicker embellishments and more dry brush work and gilding wax.

Love this character.

Texture and layers built up. Waiting for the rust to develop.

Building up the layers of transparent colour makes so much difference.

The second plier stand started off in the same way.

At this stage you might feel like giving up. What a mess!

Just keep going, adding layers of rust texture and colour.

Just loving the gorgeous layers of texture and colour.

I used several layers of the die cut pipework together to make them thicker and stronger on this side.

Wooohooo – this is soooooo yummy (or is it just me – tee hee).

Another end panel.

I used an MDF keyplate (Powertex) to embellish this end.

The final colouring makes such a difference.

The final side had a couple of little storage wells. I won’t really be using these so a perfect place to embellish with larger items.

I had fun adding recycled light bulbs, screws and bits of chain etc. I used structure paste and Powertex treated kitchen paper as a 3D glue to hold things in place.

Initially I had added a thinner die cut cog to the end but it wasn’t really strong enough. Here I added another thick greyboard cog over the first. Much more practical. I also added a small MDF Butterfly.

Here you can see more of the Steampunk treasures added. I also added some 3D Sand and Balls.

Love this Steampunk birdie peering out.

Well I hope that all these pictures have not overwhelmed you. I wanted to show how all the stages were built up. It also shows the stages that look awful, perhaps where a beginner might give up! Remember, if it all goes wrong just keep applying colour, inks or coloured varnishes. If this fails and you are really not happy – just paint over the whole thing with a base colour of Powertex and start again.

Hugs, Anne xxx.

Sunflower Project Tray created with Powertex

Today I am sharing a decorated recycled Balsa wood cheese tray (19 X 25cm) left over from Christmas. I needed a small project tray to collect together all my embroidery and sewing thread spools when working on one of my textile stitched paintings. I kept the 3D texture to a minimum as I didn’t want my fine threads catching and pulling on anything.

The theme for this Weeks Simon Says Stamp Blog Challenge (Wed) is ‘Anything Goes’ so I have entered this one.

I chose one of the lovely Floral Rice Papers and the fab Duo Arty Quotes Mini Stencil from Powertex to decorate. I wanted to create something that would give me some ‘arty’ inspiration. I had a few grey board embellishments in my stash (from ……) so added these too for a bit of interest.

I first used a water pen to dampen around the images enabling them to be torn and separated to form soft edged pieces that will blend into the background once decoupaged.

I coated the whole tray with Ivory Powertex and dried using a hair dryer. This provided a light background for the decoupage elements. Coating the tray with Powertex hardened up the soft Balsa wood and sealed it making it easier to keep clean too. I also coated the grey board elements with Ivory Powertex.

Decorative papers were then applied using Easy Coat Mat. Easy Structure Paste was then applied through the stencil using a recycled bank card. I also added a little more texture using a grid stencil from my stash.

The embellishments were stuck down with more Powertex and a little Easy Structure Paste where needed (i.e. onto textured areas).

In the background you can see a sneak peek of my next project in progress. I like to work on several things at once so that I don’t waste time waiting for layers to dry.

Next I used a white opaque pen (acrylic paint pen) to draw extra highlights onto the main sunflower image. Then I used the new transparent acrylic inks to brush over and add a bit of colour. These are fabulous as being transparent they don’t obliterate the layers beneath. I chose the Golden Metallic and Aqua Metallic Inks to blend in with the main colour theme of the decoupaged images and to add a little sheen. I emphasized the lettering using a brown fine tipped pen (suitable for going onto acrylic).

Where needed I also rubbed over a little more Ivory Powertex using my finger to blend in the colouring where I thought it was a bit heavy.

I also rubbed on a little gold gilding wax from my stash (Pebeo).

Finally I added a little clear PVA based glitter glue to bring a little sparkle. I just couldn’t help myself. Once dry I brushed over the whole tray with Easy Varnish.

Now I have a lovely inspirational project tray. Hope that you like it too.

Hugs all and happy creating, Anne xxx

Egyptian Canvas Duo created for Powertex UK

I so enjoyed helping out with samples for the Egyptian themed shows recently on Hochanda – and WOW the set looked amazing with so many wonderful creations from the team. I think that we all had a huge amount of fun. It really did look like an archaeological set.

I created this duo of canvases featuring Nefertiti and Tutankhamun to tell a little of their story. Although their likeness was well known to me I really had little idea of their history, so I did a little research. I really enjoyed finding out more about these characters and I had so much fun immersing myself into their mystical world when creating these canvases.

I hope that my creative journey gives you some inspiration for your own ideas. There is a full materials list at the end if you need links to any of the specific products used xxx.

The creative journey:

The canvases were first coated with a layer of Ivory Powertex, and the plaster busts with Bronze Powertex.

 

The textured embellishments were made with air dry clay and small clay cutters from my stash. The Hiero Heaven and Scarabella stamps were pressed into the rolled out clay to add texture. Additional texture added to some pieces using a texture mat, and I made the little snakes using a mould (both from my stash). Strips from corrugated card were used to create pillars. I laid out all my elements to get a rough idea of placement and to assess space left for adding text.

 

Note: I used an air dry modelling clay that I had in my stash. It is fairly strong when making chunky items but I did find it very brittle when rolled thin. I left it to fully dry overnight and coated it with Ivory Powertex. The Powertex did sink in well (as it remained porous) and considerably strengthened my embellishments. So I was happy to use them on my canvases. However, I would fully recommend using Stone Art Clay if you want hard wearing items, and certainly if you need them to be weather proof (it is designed for this).

Following my bit of historical research I decided on some text to add to my canvases. Nefertiti was the chief wife of the Egyptian Pharaoh Akhenaten who was the father of Tutankhaten (later named Tutankhamun). Originally Akhenaten was named Amenhotep IV but he changed his name when he banned the worship of the old Egyptian gods and instated Aten (Sun Disc – an aspect of the sun god Ra) as the one true god. I therefore depicted the Aten symbol (Sun Disk with rays in gold) on Nefertiti’s canvas.

I used gilding wax around the edges of my canvas and on the Sun Disc (Atan) and gold relief paste to create the Atan rays.

Nefertiti was also known as ‘the beautiful one has come’ (translation of her name) and ‘the lady of the two lands’ – I included this in the gilded text.

Nerfertiti may have ruled for a time as Neferneferuaten, and for a short while alongside Tutankhaten (later named Tutankhamun) but there is some debate on this. She disappeared not long after her husband’s death and it is unsure where her body lays. Although interestingly there is some evidence that she may be in a secret chamber behind the tomb of Tutankhamun. Still a mystery.

Tutankhamun became king when only a boy (‘boy king Tut’) and as mentioned above he was originally named Tutankhaten (‘the living image of Aten’). After the death of his father there was an uprising and the old gods were eventually reinstated. He reinstated Amun-Ra (fusion of the gods Amun ‘the hidden/invisible one’ and Ra the ‘sun god’) and changed his name to Tutankhamun (‘the living image of Amun’). There is a lot of debate around the identity of his mother but it is fairly certain that she would have been a close relation to Akhenaten (sister or cousin, maybe even Nefertiti?).

I hope that I am not boring everyone with history but I found it all fascinating (but also very confusing with all the name changes and the various gods worshipped at the time).

The sentiments were printed on a laser printer (copy paper) and foiled with gold sublimation foil using my laminator. I stamped over the background using Memories Ink and the Hiero Heaven stamp. I then scrunched up the paper and further aged with distress inks.

The background textured paper and sentiments were glued to the canvas using Easy Coat.

The card pillars were coated (back and front) with Black Powertex. Bister was used to add depth to my textured embellishments. I also mixed various Powercolor pigments into Ivory Powertex and rubbed over the top of the embellishments to give the effect of faded chalk paints.

Elements were glued in place using Powertex and a little Easy Structure for some of the more uneven textured pieces. A little Easy Structure paste was also applied with a palette knife for filling and more texture.

A little Ultramarine Powercolor was mixed with Ivory Powertex and painted into the crevices of the pillars. Gold Colortricx pigment mixed with Easy Varnish was dry brushed onto the surface ridges.

The busts were also coloured with gold varnish, applied fairly liberally for an opulent effect. Where I wanted areas of strong colour (blue, red, green) I applied a base of Ivory Powertex first and then painted over with coloured varnish. Black Powertex was painted into the eye area.

Materials:

• 2 stretched and primed canvases (30 X 22.5cm)
• Powertex Hardener (Ivory, Bronze and Black)
• Easy Varnish
• Easy Coat
• Easy Structure
• Bister (Black and Brown mix)
• Colortricx Pigment (Rich Gold)
• Powercolor Pigments (Ultramarine, Yellow Ochre, Burnt Sienna, Titanium White, Turquoise and Green)
• Hiero Heaven and Scarabella stamps (Rosehart Studio)
• Nefertiti and Tutankhamun flat backed plaster busts (or use the Nefertiti and Tutankhamun moulds to make your own)
• Recycled corrugated card and copy paper
• Laser printer, laminator and toner sublimation foil (gold)
• Air dry modelling clay (or Powertex Stone Art)
• Acrylic rolling pin and Teflon mat
• Snake mould and acrylic texture mat from my stash (weave texture)
• Clay cutters from my stash (rectangle, circle, triangle, square)
• Distress Inkpads (Scattered Straw, Vintage Photo)
• Memories dye based archival inkpad (waterproof when dry – Sand)
• Pebeo Cerne Relief Paste (Gold)
• Pebeo Gilding Wax (Empire Gold)

The End–Halloween Mixed Media Canvas created with Powertex

I just love a bit of Halloween Fantasy. Have you seen the FAB new stencil – ‘The End’ – from Powertex? Perfect for Spooky makes.

I used Easy Coat decoupage medium to apply stamped images from the Chocolate Baroque ‘Texture Fragments’ to the background. I also used Easy Structure Paste applied through the stencils and some onto the background and impressed with the stamps for added texture.

No fabric was included in this one but I used a lot of paper cut shapes treated with Transparent Powertex; great for stiffening, gluing and sealing the embellishments.

I hope that you enjoy my spooky scene.

Materials Used:

• 30 X 22.5cm stretched canvas
• 30 X 30 cm Stencil (The End)
• Powertex Hardener (Transparent and Ivory)
• Easy Coat Mat Medium
• Easy Structure Paste
• Bister (Green and Yellow)
• Chocolate Baroque Stamps (Texture Fragments)
• Brusho Powders (Lemon and Leaf Green)
• Alcohol Markers
• StazOn Inkpad (Jet Black)
• Gilding wax (gold)
• Tissue paper, card (white and black)
• Electronic cutting files were used to cut the bats (Silhouette), spiders (JM Rush Silhouette Store) and ferns (Tattered Lace Brother ScanNCut USB). The skeletons and vines (Sheena Douglass), and Pumpkin (Sizzix) were cut using dies.