Alice in Wonderland Clock created with Powertex

I have had so much fun joining the Alice in Wonderland Tea Party with Powertex UK. I love fantasy themes and wanted to make a working clock full of bright fun colours and sparkle. Hope that you like my Alice Clock. It certainly fills me with cheer and makes me smile.

AW Alice Clock 9

The theme on this weeks Simon Says Stamp Challenge (Mon) is ‘inspired by a song’ – so I have entered this one. I feel that I am always running late so the White Rabbit Song ‘I’m Late’ fits me perfectly and is appropriately the main sentiment on my clock.

I have also entered it into this months Mixed Up Mag Texture Challenge.

I had an old heart shaped MDF working clock that really needed a revamp. I combined it with the Pocket Watch Kit to create my crazy clock. The kit contains a stand, solid back and frame to make up a 3D pocket watch. Also included are lots of smaller embellishments for decoration – great kit.

AW Alice Clock 1

The stand was put together using Black Powertex to coat and glue everything together.

AW Alice Clock 2

The open watch frame was coated with Black Powertex.

AW Alice Clock 3

The back and outer rim of the solid pocket watch shape were also coated with Black Powertex. The central area was painted with Ivory Powertex ready for adding images. When dry, pocket watch images from a decorative Rice Paper were applied using Easy Coat Mat decoupage medium. The sheet I used does not appear to be in stock at the moment but the Victorian Steampunk sheet is similar. The surface was spritzed with a little Green Bister to knock back the harshness of the Ivory colour.

AW Alice Clock 4

I coated my recycled MDF clock with Ivory Powertex on the front, Black on the back. Again Easy Coat was used to add Rice Paper images. You can still see the original painted numbers on my old clock face.

AW Alice Clock 5

A layer of Crackle Accents (Ranger) was added onto the clock face images to give an aged crackle effect. When dry, more Green Bister was added to emphasise the crackle (the wet colour seeps into the cracks). Texture was then applied using Easy Structure Paste through the Wonderland Stencil. I dabbed over with a little black Powertex to cover some of the bright white colour. Easy Structure Paste was also used as a strong 3D glue to attach the watch to the stand.

AW Alice Clock 6

Rice paper images were also applied to my recycled heart clock. Layers of kitchen paper were applied around the decoupaged images using ivory Powertex to give added texture. I also added Easy Structure Paste through the stencil to add hearts.

Several of the new Acrylic Inks and Paints were used to add colour to my project (Acrylic Inks in Egg Yolk, Tangerine, Golden Metallic, Viola Metallic and Aqua Metallic; Acrylic Paints in Raspberry Sorbet, Orange Marmalade and Key Lime). The inks are gorgeous fluid transparent colours ideal for painting over other colours or patterned papers. The medium bodied acrylic colours are semi-translucent and are great for heavier colour and layering. I LOVE them.

A piece of tree bark was treated with Transparent Powertex. I have had this piece in my stash for years (so it was fully dried out) just waiting for a suitable project to use it on.

The pocket watch frame was glued in place with Transparent Powertex ensuring that it was well centred. Easy Structure paste was used to glue 3D elements onto the base stand. Bronze Powertex was used to cover and colour the Easy Structure Paste where needed. At this stage I checked that the clock hands would be able to move freely around the clock face (once it’s all glued and dry it’s well and truly glued!).

The small MDF heart (from my recycled clock) was treated with black Powertex. I added some 3D Sand and Balls into the wet Powertex for texture. When dry I coloured with Easy Varnish and Interference Lilac Pearl Pigment. Have you seen these new Pearl Pigment colours? WOWeeee! I rubbed over a little Pebeo Gilding Wax (gold) to cover the edges and highlight the texture more.

AW Alice Clock 7

Gilding Wax was also rubbed over the Pocket Watch tops and tree bark. A thick greyboard frame and rectangle was coated in Black Powertex to create a table. A piece of lace and scrap of knitted cotton was also coated in Black Powertex to fill in the base of the ‘tree’ and to create the table cloth. I started placing other MDF elements from the Pocket Watch Kit (but not glued down yet).

More colour was added with the Acrylic Paints. The metal clock hands were coated with Jade Patina (Ranger).

….. and yes my craft stash is encroaching inwards – tee hee.

AW Alice Clock 8

I continued to build the scene, coating elements with Black or Ivory Powertex then colouring with Acrylic Paints before gluing down with Powertex.

The MDF sentiments and Flamingoes were from the Alice Collection; the butterflies, dragonfly, numbers and spirals from the Pocket Watch Kit. The sentiment plaque was a greyboard piece from my stash. I added some 3D Sand and Balls to the Flamingo wings for extra texture.

A layer of Glossy Accents (Ranger) was applied over some of the painted elements and fine crystal glitter dropped into the wet surface for added bling and sparkle. The piece was then left overnight, propping it in a horizontal position.

AW Alice Clock 9

I also added an MDF Heart Flower, Lion, cat and small bird from Mini Hieroglyphs, MDF flowers and leaves plus greyboard flowers (from my stash). The little signposts were made from recycled wooden canvas stretchers and black alcohol marker used to write.

Then I had fun with my dies. Each element was built up using 4 layers of either black or Kraft card and layers glued together with Powertex to make them thick and robust. Coffee Archival Ink (Ranger) was used to stamp the chairs (Sizzix). The cake stand, cupcakes, small cup & saucer, spoon & fork and teapot cut (Intricutz); the larger cup & saucer and top hat (Sheena Douglass); the chandelier (Crafters Companion) were built and glued in place with Easy Structure paste where needed to give added depth. More Glossy Accents and glitter were added over some of the elements.

Finally a little dry brushed colour was added over some of the textured surfaces using Easy Varnish and the Pigment colours (Iridescent Lilac, Violet Valentine, Rich Gold).

I will leave it for around three weeks for everything to fully cure, then finish with Easy Varnish to fully seal everything and give added protection to painted surfaces.

AW Alice Clock 11

I’ve popped in some close ups for you. Ooooh sparkly flamingos.

AW Alice Clock 12

I am always running late so this sentiment is perfect for my clock – tee hee.

AW Alice Clock 13

You can see that crackle texture on the watch faces here.

AW Alice Clock 14

Lots of layering and sparkle.

AW Alice Clock 15

I absolutely love my new clock. I hope that you love it too, Anne xxx.

Advertisements

Sunflower Project Tray created with Powertex

Today I am sharing a decorated recycled Balsa wood cheese tray (19 X 25cm) left over from Christmas. I needed a small project tray to collect together all my embroidery and sewing thread spools when working on one of my textile stitched paintings. I kept the 3D texture to a minimum as I didn’t want my fine threads catching and pulling on anything.

AW Sunflower Tray 5

The theme for this Weeks Simon Says Stamp Blog Challenge (Wed) is ‘Anything Goes’ so I have entered this one.

I chose one of the lovely Floral Rice Papers and the fab Duo Arty Quotes Mini Stencil from Powertex to decorate. I wanted to create something that would give me some ‘arty’ inspiration. I had a few grey board embellishments in my stash (from ……) so added these too for a bit of interest.

AW Sunflower Tray 1

I first used a water pen to dampen around the images enabling them to be torn and separated to form soft edged pieces that will blend into the background once decoupaged.

I coated the whole tray with Ivory Powertex and dried using a hair dryer. This provided a light background for the decoupage elements. Coating the tray with Powertex hardened up the soft Balsa wood and sealed it making it easier to keep clean too. I also coated the grey board elements with Ivory Powertex.

AW Sunflower Tray 2

Decorative papers were then applied using Easy Coat Mat. Easy Structure Paste was then applied through the stencil using a recycled bank card. I also added a little more texture using a grid stencil from my stash.

AW Sunflower Tray 3

The embellishments were stuck down with more Powertex and a little Easy Structure Paste where needed (i.e. onto textured areas).

AW Sunflower Tray 4

In the background you can see a sneak peek of my next project in progress. I like to work on several things at once so that I don’t waste time waiting for layers to dry.

AW Sunflower Tray 5

Next I used a white opaque pen (acrylic paint pen) to draw extra highlights onto the main sunflower image. Then I used the new transparent acrylic inks to brush over and add a bit of colour. These are fabulous as being transparent they don’t obliterate the layers beneath. I chose the Golden Metallic and Aqua Metallic Inks to blend in with the main colour theme of the decoupaged images and to add a little sheen. I emphasized the lettering using a brown fine tipped pen (suitable for going onto acrylic).

AW Sunflower Tray 6

Where needed I also rubbed over a little more Ivory Powertex using my finger to blend in the colouring where I thought it was a bit heavy.

AW Sunflower Tray 7

I also rubbed on a little gold gilding wax from my stash (Pebeo).

AW Sunflower Tray 8

AW Sunflower Tray 9

AW Sunflower Tray 10

AW Sunflower Tray 11

Finally I added a little clear PVA based glitter glue to bring a little sparkle. I just couldn’t help myself. Once dry I brushed over the whole tray with Easy Varnish.

AW Sunflower Tray 12

Now I have a lovely inspirational project tray. Hope that you like it too.

Hugs all and happy creating, Anne xxx

Medieval Chalice created with Powertex

AW-Medieval-Chalice-7.jpg

I had fun creating a medieval chalice from an old glass that I have had for years. If you look closely it is actually made from a recycle wine bottle cut in half. The old bottle base is cut off and stuck to the bottle pouring top. The upturned bottle therefore making a new glass. I didn’t make it myself but it was a present from my ex’s daughter and has sentimental value. Now I have a super chalice to fill with cider and enjoy my drink along with good memories.

I wanted to keep the rim of the glass clean as I intend to use it as a drinking glass. I can clean the inside properly and around the rim etc. after use. The outer decoration will be ok with rinsing but obviously will be washed with more care.

For those that of not heard of Powertex – it is a non-toxic environmentally friendly fabric hardener that can be used to treat natural fibres (cotton, wool, silk, wood, MDF etc.) and create items that are weatherproof.

AW Medieval Chalice 1

I first stamped some tissue paper (recycled packaging) with Versamark Ink and heat embossed the script image (Butterfly Poppy Collage set from Chocolate Baroque) with metallic gold embossing powder. I also collected some MDF embellishments ready for decorating. The Ankh is from the Pyramid and Ank Trio set, the hares and small cross from the Mini Hieroglyphs set.

AW Medieval Chalice 2

As I wanted to keep the glass for functional use I didn’t want to completely cover it with texture and wanted to keep the stem area comfortable to hold. I first painted a band of black ‘all surfaces’ weatherproof glitter paint (Black Diamonds Crystal Glitter) onto the glass to add some interest and texture which will show through the background areas that I wanted to keep fairly smooth. The gold paint that you can see on the base was done some years ago with glass paints – I covered this up in later steps.

Next I tore areas of the script paper and applied them over the glass stem and bowl using Easycoat Mat Decoupage Medium. Tip: I used a water pen to draw around the pieces that I wanted, making it easy to tear shapes in a more controlled way. I sprayed with a little Green Bister just to blend in a little (dabbing off excess dribbles) where the white tissue paper was a little obvious.

AW Medieval Chalice 3

Next was true happiness – a fist full of Powertex Clay – tee hee. I mixed some Stone Art with Bronze Powertex (approx. 50:50) with a small addition of Transparent Powertex, working it well into a non-sticky consistency.

AW Medieval Chalice 4

Next I cut of square of T shirt fabric to cover the glass base and treated it with Bronze Powertex. I also treated a strip of T-shirt yarn and used it to secure the fabric over the stem base, then wrapped it up around the glass. Snips of textured lace were treated and added around the base plus a strip of treated lace was added to create a border around the top.

AW Medieval Chalice 5

A rough slab of clay was rolled out and impressed using the text stamp. This was glued onto the glass front using Powertex. Stems and leaves were moulded by hand and ‘glued’ in place along with the MDF embellishments. Where needed a little Easy Structure Paste was used as a 3D ‘glue’ (painted over with Bronze Powertex to hide the white colour). A faux gem was stuck into the centre of the ankh.

AW Medieval Chalice 6

The chalice was then left to dry for a couple of hours.

AW Medieval Chalice 7

Next came the fun of dry brushing. I used Rich Gold Colortricx mixed with Easy Varnish first. It looked a little uninteresting in just the one colour so I also dry brushed with some of the new Aqua Metallic Acrylic Ink. Both of these dry very quickly so I just repeated layers of dry brushing until I was happy with the result.

AW Medieval Chalice 7a

I will leave the vessel for a couple of weeks to fully dry and cure before giving it a final all over coat of Easy Varnish to fully seal it. Et voila! My lovely new drinking vessel. I cannot wait to use it.

AW Medieval Chalice 8

AW Medieval Chalice 9

AW Medieval Chalice 10

Textured Clay Pendant using stamps and Powertex

This was one of my first attempts at making jewellery using clay and Powertex. I used an air dry clay from my stash and rolled it out into a sheet of approx. 5-6mm deep. The headdress area of the Katya stamp (from Chocolate Baroque) was used to impress the pattern texture. The shape was then trimmed out with a craft knife and attachment holes made using a small ball tool.

AW Katya Pendant 2

AW Katya Pendant 2 SP

After drying this clay was very porous with a slight powdery surface, and was quite fragile if rolled too thin. I added a coat of Bronze Powertex to give it a good base colour for gilding, and with the hope of hardening the clay. The porous clay soaked up the Powertex really well and considerably strengthened the clay. Pebeo Gilding Wax (several different shades of gold) was rubbed over the surface to give an aged metallic finish. I attached a recycled gold plated necklace chain using 0.8mm copper wire.

AW Katya Pendant 1

I have since experimented with a few different air dry clays (water based paper and craft clays) and their suitability for jewellery making. Some are far too brittle when rolled out to make thinner items, others too light (e.g. paper clays) to make pendants that hang nicely. It is worth experimenting with what you have in your stash. If using to make embellishments which will be glued down onto canvases or cards Powertex is ideal for sealing and making them more robust.

If you are making items for outdoors then Powertex Stone Art Clay is the best option. It has been designed to be weatherproof and won’t crack. Stone Art Clay is also brilliant for jewellery making. It is strong, water resistant, and it is a perfect weight; not too heavy but with enough weight for jewellery pieces to hang well.

Steampunk Travellers Mixed Media Canvas with Powertex

AW Steampunk Travellers 7

Oh my goodness – I really enjoyed myself with this Steampunk canvas – I just love to get myself lost a bit of fantasy. I used lots of Chocolate Baroque stamps from my stash (Punky Expressions, Words of Inspiration, Steampunkery, Steampunk Travel, Punky Flowers, Steampunk SeaWorld) and two of the new stamps from Mark Gould (Sailor Jim and The Aviator).

As the theme on the Simon Says Stamp Blog Challenge (Wed) this week is ‘Layer It Up’ – I have entered this one.

I first cut 2 pieces of left over mount board and trimmed them to approx. 25 X 31cm and 31 X 41 cm. The back board was coated front and back with Bronze Powertex. The second board was coated with Ivory Powertex.

AW Steampunk Travellers 1

I used a page from an old atlas and glued it to the board using Easy Coat Mat decoupage medium. Note: There are some lovely map themed Rice Papers on the Powertex website.

I then applied some Easy Structure paste through stencils from my stash to create some wave and cloud textures.

Next I applied elements from decorative rice papers (sea themed and pocket watches) using Easy Coat medium. It looks like the pocket watches sheet I used is out of stock but there is a similar Victorian Steampunk sheet available. Tip: draw around the parts of the image that you desire using a water brush or pen, then gently pull away the image from the sheet. This avoids harsh cut edges and the images will blend better into the background.

I also applied a little of the new Golden Metallic Acrylic Ink through my stencils, and onto areas of the pocket watches.

AW Steampunk Travellers 2

I next stamped my images using Versafine Ink (Onyx Black) onto recycled tissue paper (packaging). I also stamped some onto white card using Versafine (Vintage Sepia), cut them into little sentiment strips and edged them with a dark brown alcohol marker. The images and text sentiments were applied to the canvas using Easy Coat decoupage medium.

AW Steampunk Travellers 5

I added a little colour over the decoupaged stamp images using Golden Metallic and Aqua Acrylic Inks. These inks have a lovely translucency so do not obliterate the image beneath. You don’t need to be super careful with colouring either.

AW Steampunk Travellers 3

My characters were stamped onto smooth stamping card using Versafine (Vintage Sepia), cut out and coloured with pencils. I applied Ivory Powertex to the backs to seal them, curving and doming them slightly. I coated the fronts with a layer of Powerwax to protect them. I chose this option as I was concerned that a slow drying wet medium might smudge some of the pencil colouring.

AW Steampunk Travellers 4

I used one of the MDF Heart Flowers (approx. 12.5cm across) to make an embellishment for the top. The moulded flower was from my stash. It had been made with Stone Art and Ivory Powertex mixed into a clay and used with one of my moulds. When dry it was painted with Easy Varnish tinted with Burgundy Powercolor, then dry brushed with more varnish tinted with Silver, Rich Gold and Copper Colortricx. The MDF flower was coated with Bronze Powertex and the moulded flower glued to the centre with a little Easy Structure paste. Easy Structure paste and Powertex were used to glue the embellishment to the top of the canvas.

AW Steampunk Travellers 6

Black cotton netting was treated with Bronze Powertex and applied to the canvas base and diagonally across the middle. The characters were then positioned and glued down with Easy Structure Paste (i.e. using it as a 3D glue). Care was taken not to smudge the images with paste or Powertex. Any slight mishaps were wiped away quickly with a damp sponge.

I gathered together lots of Steampunk and nautical embellishments from my stash including die cut ship wheels, anchors, gears, swirls etc. I also had a stash of shells created using paper clay and moulds (already coloured with ink sprays). The embellishments were all coated with Powertex (Transparent or Bronze) and glued in place, using Easy Structure paste where needed. I also dropped some 3D Sand and Balls into wet Powertex for added texture.

In addition I used some recycled gear cogs from the inside my finished double sided tape rollers. These are plastic so I used copper gilding wax (Pebeo) to colour the top surface (Powertex doesn’t stick to plastic) and embedded them well with Easy Structure paste and Powertex coated card pieces etc.

AW Steampunk Travellers 7

Finally I dry brushed Easy Varnish tinted with Bronze Gold Colortricx lightly over the embellishments to enhance them.

The canvas could be mounted into a 3D box frame to fully protect it from dust etc. It could also be hung directly – perhaps holes cut in the top edge and a string would look quite nautical? If hanging without framing I would advise that everything be fully sealed with Easy Varnish (the characters with more layers of Powerwax); particularly the areas coated with transparent Powertex (coloured Powertex is already weather resistant). It could then be cleaned with a damp cloth (or even rinsed under the tap).

I hope that you like my fantasy creation. I have included a few more pics for more close up views, Anne x.

AW Steampunk Travellers 8

AW Steampunk Travellers 9

AW Steampunk Travellers 10

AW Steampunk Travellers 11

AW Steampunk Travellers 12

AW Steampunk Travellers 13

AW Steampunk Travellers 14

AW Steampunk Travellers 15

AW Steampunk Travellers 16

AW Steampunk Travellers 17

Oriental Mixed Media Canvas with Teneriffe Lace and Powertex

I created this mixed media canvas using acrylic paints and various elements treated with transparent Powertex. Powertex is great for stiffening, gluing down and protecting porous substrates such as fabric, card or wood.

 

AW Oriental lace canvas

The lace elements were my first attempts at making Teneriffe Lace (yes the lace name has 2 f’s – as in the original spelling of the island) using the newly released looms and instructions from Gina-B Silkworks. I struggled a bit with getting my knotting secure at first (until I read the instructions properly – tee hee), plus my weaving and tensioning was pretty uneven too. My technique soon improved but I wasn’t sure what to do with these first experiments. They nearly went into the bin! However, I then thought of Powertex treatment. The lace would be stiffened and sealed so no worry about any of the knotting coming lose.

AW Oriental Lace Canvas 1

AW Oriental Lace Canvas 2

AW Oriental Lace Canvas 3

The variegated blue threads that I used inspired me to create something with an Oriental theme. Incorporating my ‘imperfect’ lace elements into a canvas was perfect.

AW Oriental Lace Canvas 4

AW Oriental Lace Canvas 5

I was really pleased with the results and my lace pieces ended up being showcased very nicely.

Materials:

  • Teneriffe Lace Complete Starter Kit (comes with Looms 1 and 3)
  • Total Trimmings Project Book – Teneriffe Lace (comes with a Heart Loom 11)
  • Strong thread (for the holding threads on loom) and pearl 8 embroidery thread (plain blue and variegated blue) for the lace work
  • Transparent Powertex
  • Card (approx. 230 gsm – white and blue)
  • 12 X 12 inch stretched canvas
  • Gesso (white), acrylic paint (blue) and Starlight Paint (gold metallic)
  • Alcohol marker and PVA pearls (blue) – to colour edges and add centres to flowers
  • Bamboo barbeque sticks
  • Thread wrapped button embellishment, bead and tassel
  • Dies to cut branches and blossoms (mixed brand and Spellbinders)
  • Mandala stencil
  • Rubber stamp (for background texture)
  • Plastic sheeting to protect table and to dry Powertex treated elements
  • 3D glue gel

How it was done:

  1. The butterfly was created on the outer ring of Loom 3. This was a result of a bit of play and trying out the technique. I didn’t use a specific pattern but added darned areas to get a stylised butterfly shape.
  2. The large circular motif was worked on the outer ring of Loom 1 following the design for the Teacup Pincushion Pattern included in the Total Trimmings Book.
  3. The 2 small circular designs were again worked on Loom 1 (small inner ring) using the Lace Button Designs included in the book.
  4. I treated the lace with the transparent Powertex and laid out to dry overnight on plastic sheeting (Powertex doesn’t stick to plastic). I snipped out the butterfly from my circular lace design. I also cut up some of my rough trial pieces to use as extra texture in the background.
  5. The canvas background was painted with white gesso to prime. Rubber stamps were used with acrylic paints to add a little background texture. I also sponged acrylic paint through a mandala stencil to complement the lace elements. Starlight paint (which contains crushed gilding flake) was used to blend in from around the edges.
  6. The branches and blossoms were die cut from card, shaped with an embossing tool, then painted with transparent Powertex. Likewise the fan was created using card and bamboo barbeque sticks. Again I treated this with Powertex.
  7. Flat elements were glued to the canvas with Transparent Powertex. More dimensional elements were stuck down with 3D glue gel.
  8. I also added a thread wrapped button embellishment and tassel. Gina has some wonderful instructional DVD’s and books which are fabulous if you would like to learn these techniques (Making Buttons DVD , Button Workshop Manual, Making Tassels DVD)

Fantasy Pine Scene Canvas created with Powertex

I had so much fun creating this pine cone scene.

AW Pine Scene Canvas

 

I used some twigs and pine cones from my stash (they must be fully dried out to avoid development of mould), hessian, T shirt fabric, kitchen paper, Sand & Balls and even broken egg shells (fully washed and membranes removed).

 

AW pine cone jewellery 2

 

The background sky was created with Pebeo Fantasy paints (Moon, Prisme and Vitrail).

 

AW Pine Scene Canvas cropped

 

Materials: